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The re-emergence ofnganaparru(water buffalo) into the culture, landscape and rock art of western Arnhem Land
16 references·5 citing·36 second hop
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References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2014The Oxford Handbook of the Archaeology and Anthropology of Hunter-Gatherers233 cited
  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 1995Landscape and the Reproduction of the Ancestral Past168 cited
  • 2022Pintupi Country, Pintupi Self151 cited
  • 1996Seeing the Inside93 cited
  • 2006Animal Nation: The True Story of Animals and Australia89 cited
  • 2010Painting History: Indigenous Observations and Depictions of the ‘Other’ in Northwestern Arnhem Land, Australia75 cited
  • 1986Cattle, Sheep and Horses: A Review of Domestic Animals in the Rock Art of Southern Africa75 cited
  • 2016Plains Indian Rock Art59 cited
  • 2017Unstable relations: Indigenous people and environmentalism in contemporary Australia48 cited
  • 1999Encoding the Dreaming – A theoretical framework for the analysis of representational processes in Australian Aboriginal art47 cited
  • 2003Indigenous images of a colonial exotic: imaginings from Bushman southern Africa37 cited
  • 2012Picturing Change and Changing Pictures: Contact Period Rock Art of Australia35 cited
  • 1998Like people in prehistory

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29 cited
  • 2020Children and Rock Art: A Case Study from Western Arnhem Land, Australia20 cited
  • Cited by

    • 2023Archaeology as History22 cited
    • 2022Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages3 cited
    • 2024The Counter-Archive of First Nations Biography0 cited
    • 2024Timelessness and Permanence0 cited
    • 2025Contact Rock Art: A Biographical Perspective from Western Arnhem Land, Australia0 cited