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Munch and optical coherence tomography: unravelling historical and artist applied varnish layers in painting collections
6 references·0 citing·23 second hop
Munch and optical coherence tomography: unravelling historical and artist applied varnish layers in painting collections (2021)Munch and optical coherence tomography: u…OCT for Examination of Cultural Heritage Objects (2020)OCT for Examination of Cultur…Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box (2019)Unveiling Harriet Backer: ICP…Conservation of Modern Oil Paintings (2019)Conservation of Modern Oil Pa…Public paintings by Edvard Munch and his contemporaries : change and conservation challenges (2015)Public paintings by Edvard Mu…‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’ (2013)‘Multispectral Imaging in Ref…The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources (2002)The Artist's Assistant, Oil P…Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Statistics and Chemometrics for Analytical Chemistry (2005)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Reflectance hyperspectral data processing on a set of Picasso paintings: which algorithm provides what? A comparative analysis of multivariate, statistical and artificial intelligence methods (2021)A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca (2023)On Picture Varnishes and Their Solvents (1973)The Influence of Varnishes on the Appearance of Paintings (1987)The Use of Optical Coherence Tomography for Monitoring the Subsurface Morphologies of Archaic Jades (2004)In-Depth Analysis of Egg-Tempera Paint Layers by Multiphoton Excitation Fluorescence Microscopy (2020)Congregation leaving the Reformed Church in Nuenen by Vincent van Gogh: a combined multi-instrumental approach to analyse the painting’s stratigraphy in support of varnish removal (2022)Possible modifications of parchment during ion beam analysis (2022)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings (2012)Metal Soaps in Art (2019)Pigment Mapping of the Scream (1893) Based on Hyperspectral Imaging (2014)Role of the Relative Humidity and the Cd/Zn Stoichiometry in the Photooxidation Process of Cadmium Yellows (CdS/Cd1−xZnxS) in Oil Paintings (2018)The chemistry of making color in art (2021)A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt (2018)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)Advanced Materials in Cultural Heritage Conservation (2021)How Science Can Contribute to the Remedial Conservation of Cultural Heritage (2021)Oxidation and Cross-Linking in the Curing of Air-Drying Artists’ Oil Paints (2021)
this work references cited by second hop

References

  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources91 cited
  • 2013‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’85 cited
  • 2019Conservation of Modern Oil Paintings57 cited
  • 2019Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box24 cited
  • 2020OCT for Examination of Cultural Heritage Objects22 cited
  • 2015Public paintings by Edvard Munch and his contemporaries : change and conservation challenges17 cited

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