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Lingering Tropes and Noteworthy Narratives in Recent Archaeology Exhibitions
10 references·1 citing·29 second hop
Lingering Tropes and Noteworthy Narratives in Recent Archaeology Exhibitions (2021)Lingering Tropes and Noteworthy Narrative…Making The Met, 1870–2020: A Universal Museum for the 21st Century (2021)Making The Met, 1870–2020: A …Online Encounters with Museum Antiquities (2020)Online Encounters with Museum…Exhibiting Ancient Africa at the Museum of Fine Arts, Boston: “Ancient Nubia Now” and Its Audiences (2020)Exhibiting Ancient Africa at …Un rêve d’Italie: la collection du marquis Campana (2019)Un rêve d’Italie: la collecti…Scattered Finds (2019)Scattered FindsMuseo Arqueológico Nacional de España Revisited (2018)Museo Arqueológico Nacional d…Damien Hirst’s Tale of Shipwreck and Salvaged Treasure (2017)Damien Hirst’s Tale of Shipwr…Unwrapping ancient Egypt (2014)Unwrapping ancient EgyptA Companion to ancient Egypt (2011)A Companion to ancient EgyptContemporary cultures of display (1999)Contemporary cultures of disp…Egyptian Archaeology and the Twenty-First Century Museum (2022)Egyptian Archaeology and the …Shipwrecked: Tang treasures and monsoon winds (2011)The Boston Museum of Fine Arts (1909)The ironworking remains in the royal city of Meroe: new insights on the Nile Corridor and the Kingdom of Kush (2019)Staatliche Museen zu Berlin (1963)New Museum Theory and Practice, An Introduction (2005)Museum Pieces (2011)Digital art history in 2021 (2021)Egyptian archaeology in multiple realities: Integrating XR technologies and museum outreach (2022)Exploring user acceptance of online virtual reality exhibition technologies: A case study of Liangzhu Museum (2024)New York, the Metropolitan Museum of Art (1972)The Culture of Classicism (2004)The Gallery Enhancements Project at the Oriental Institute Museum of the University of Chicago: Everything Old Is New Again (2022)The archaeology of knowledge ; and, The discourse on language (1972)The Dialogic Imagination: Four Essays (1981)Time and the Other: How Anthropology Makes Its Object (1983)Famine and Feast in Ancient Egypt (2023)Hieroglyphs, Pseudo-Scripts and Alphabets (2023)Technology and Culture in Pharaonic Egypt (2023)A peaceful realm? Trauma and social differentiation at Harappa (2012)Community and Identity in Ancient Egypt: The Old Kingdom Cemetery at Qubbet el-Hawa (2014)Reconstructing Ancient Worlds: Reception Studies, Archaeological Representation and the Interpretation of Ancient Egypt (2014)Egypt’s dispersed heritage: Multi-directional storytelling through comic art (2021)Invisible Excavators: The Quftis of Megiddo, 1925–1939 (2022)Tate Modern: Pushing the limits of regeneration (2010)Introduction (2012)Diaspora, authenticity and the imagined past (2017)Ritual practices and wrapped objects: Unpacking prehispanic Andean sacred bundles (2015)Multidisciplinary investigation of two Egyptian child mummies curated at the University of Tartu Art Museum, Estonia (Late/Graeco-Roman Periods) (2020)Seeing Perfection (2020)
this work references cited by second hop

References

  • 1999Contemporary cultures of display98 cited
  • 2011A Companion to ancient Egypt74 cited
  • 2019Scattered Finds66 cited
  • 2014Unwrapping ancient Egypt41 cited
  • 2017Damien Hirst’s Tale of Shipwreck and Salvaged Treasure19 cited
  • 2020Online Encounters with Museum Antiquities17 cited
  • 2020Exhibiting Ancient Africa at the Museum of Fine Arts, Boston: “Ancient Nubia Now” and Its Audiences5 cited
  • 2019Un rêve d’Italie: la collection du marquis Campana4 cited
  • 2021Making The Met, 1870–2020: A Universal Museum for the 21st Century4 cited
  • 2018Museo Arqueológico Nacional de España Revisited3 cited

Cited by

  • 2022Egyptian Archaeology and the Twenty-First Century Museum20 cited

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