SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Diversification and post-regionalism in North American hip-hop flow
16 references·0 citing·29 second hop
Diversification and post-regionalism in North American hip-hop flow (2020)Diversification and post-regionalism in N…Listening to Spoken English (2017)Listening to Spoken EnglishSong Means: Analysing and Interpreting Recorded Popular Song (2016)Song Means: Analysing and Int…Steal This Music: How Intellectual Property Law Affects Musical Creativity (2006)Steal This Music: How Intelle…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…The music of everyday speech: prosody and discourse analysis (2002)The music of everyday speech:…Sound Tracks: Popular Music Identity and Place (2002)Sound Tracks: Popular Music I…Rap music and the poetics of identity (2000)Rap music and the poetics of …Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Fantasy pieces: metrical diss…The Beatles as Musicians: The Quarry Men Through Rubber Soul (1999)The Beatles as Musicians: The…The Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Metrical Stress Theory: Principles and Case Studies (1995)Metrical Stress Theory: Princ…The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Analysis and Cognition of…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicThe Stratification of Musical Rhythm (1976)The Stratification of Musical…The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…The intonation of American English. By Kenneth L. Pike. (University of Michigan Publications: Linguistics, Vol. 1.) Pp. xi + 200, lithoprinted. Ann Arbor: University of Michigan Press, 1946. (1947)The intonation of American En…Hedges and boosters in women's and men's speech (1990)The Buckeye corpus of conversational speech: labeling conventions and a test of transcriber reliability (2004)Intelligibility, Oral Communication, and the Teaching of Pronunciation (2018)A prosody tutorial for investigators of auditory sentence processing (1996)A Maximum Entropy Model of Phonotactics and Phonotactic Learning (2008)The Syntax‐Phonology Interface (2011)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)Anatomy of a Performance: Sources of Musical Expression (1996)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Universals in the world’s musics (2011)Prosody in the Comprehension of Spoken Language: A Literature Review (1997)Correlates of linguistic rhythm in the speech signal (1999)3. English as a Global Language (2016)Art As Collective Action (1974)Music and Language (1994)Beat-Class Modulation in Steve Reich's Music (2003)An Empirical Study of Syncopation in American Popular Music, 1890?1939 (2006)Action and Agency Revisited (2013)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Misogyny in Rap Music (2009)Cultural economy: a critical review (2005)Metrolingualism: fixity, fluidity and language in flux (2009)The effects of social media on emotions, brand relationship quality, and word of mouth: An empirical study of music festival attendees (2014)
this work references cited by second hop

References

  • 1995Metrical Stress Theory: Principles and Case Studies1,925 cited
  • 1947The intonation of American English. By Kenneth L. Pike. (University of Michigan Publications: Linguistics, Vol. 1.) Pp. xi + 200, lithoprinted. Ann Arbor: University of Michigan Press, 1946.1,402 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 2017Listening to Spoken English596 cited
  • 1962The Rhythmic Structure of Music521 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1993The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model491 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 2000Fantasy pieces: metrical dissonance in the music of Robert Schumann255 cited
  • 1976The Stratification of Musical Rhythm233 cited
  • 2002The music of everyday speech: prosody and discourse analysis217 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2006
Steal This Music: How Intellectual Property Law Affects Musical Creativity
159 cited

Cited by

No citing works inside the corpus for this window.