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“My baby should feel no wronged!”: Digital fandoms and emotional capitalism in China
16 references·5 citing·33 second hop
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References

  • 1996The media and modernity: a social theory of the media2,177 cited
  • 2007Cold Intimacies: The Making of Emotional Capitalism1,733 cited
  • 2001Does the Internet Increase, Decrease, or Supplement Social Capital?1,699 cited
  • 2008Saving the Modern Soul1,024 cited
  • 2018The mediated construction of reality953 cited
  • 1994Adoring Audience: Fan Culture and Popular Media925 cited
  • 2003Fan Cultures869 cited
  • 2004Understanding Celebrity810 cited
  • 2008Production Culture660 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 2009Journal of Folklore Research432 cited
  • 2006Fan fiction and fan communities in the age of the Internet : new essays412 cited
  • 2005Active participation or just more information?266 cited
  • 2019Playing to the Crowd197 cited
  • 2009Amateur experts166 cited
  • 2013Making Monsters: Lady Gaga, Fan Identification, and Social Media141 cited

Cited by

  • 2024How fan clubs manage the authenticity of fans’ identities in Chinese idol culture

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6 cited
  • 2023“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China6 cited
  • 2024How K-pop Fans Utilize Conventional and Subcultural Frameworks to Construct Fan Identities: A Case Study of Seungri and the Burning Sun Scandal6 cited
  • 2022To Exaggerate Data at All Costs: Data-Driven Fan Culture, Platforms, and the Remaking of the New Poor in China5 cited
  • 2024Interrogating machoism, male celebrity rivalry and digital fandom practices in Nigerian Hip Hop3 cited