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An evergreen blue. Spectroscopic properties of Egyptian blue from pyramids to Raphael, and beyond
16 references·1 citing·44 second hop
An evergreen blue. Spectroscopic properties of Egyptian blue from pyramids to Raphael, and beyond (2021)An evergreen blue. Spectroscopic properti…Micronised Egyptian blue pigment: A novel near-infrared luminescent fingerprint dusting powder (2016)Micronised Egyptian blue pigm…Beyond Vitruvius: New Insight in the Technology of Egyptian Blue and Green Frits (2016)Beyond Vitruvius: New Insight…NIR luminescence for the detection of latent fingerprints based on ESIPT and AIE processes (2015)NIR luminescence for the dete…Investigations into the initial composition of latent fingermark lipids by gas chromatography–mass spectrometry (2015)Investigations into the initi…Synthesis of Amphiphilic Silica Nanoparticles for Latent Fingerprint Detection (2014)Synthesis of Amphiphilic Sili…Nanoscience of an Ancient Pigment (2012)Nanoscience of an Ancient Pig…Green pigments of the Pompeian artists’ palette (2008)Green pigments of the Pompeia…The Application of Infrared Chemical Imaging to the Detection and Enhancement of Latent Fingerprints: Method Optimization and Further Findings (2007)The Application of Infrared C…Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS) (2006)Pigment analysis in Bronze Ag…The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome (2004)The Use of Egyptian Blue and …Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts (2004)Raman spectroscopic analysis …Raman analysis of pigments from the Egyptian Old Kingdom (2004)Raman analysis of pigments fr…Changes in the lipid composition of latent fingerprint residue with time after deposition on a surface (2004)Changes in the lipid composit…Raman Spectroscopic Analysis of Ancient Egyptian Pigments (2001)Raman Spectroscopic Analysis …Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)Photoluminescence of the inor…Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Spectrochemical characterizat…Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Advanced X-ray techniques to …2. Ultramarine Blue, Natural and Artificial (1966)Materials Issues in Art and Archaeology III (1994)Anglo-Saxon Manuscript Pigments (2004)From lapis lazuli to ultramarine blue: investigating Cennino Cennini’s recipe using sulfur K-edge XANES (2017)Rome in the Eighth Century (2020)Ten Books on Architecture (1956)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigments used in Roman wall paintings in the Vesuvian area (2010)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)The materials and techniques of medieval painting (1956)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Advances in Fingerprint Technology (2001)Study of latent fingermarks by matrix‐assisted laser desorption/ionisation mass spectrometry imaging of endogenous lipids (2009)Initial Results on the Composition of Fingerprints and its Evolution as a Function of Time by GC/MS Analysis (2010)Variation in amino acid and lipid composition of latent fingerprints (2010)The detection of drugs of abuse in fingerprints using Raman spectroscopy I: latent fingerprints (2003)Fingerprints and Other Ridge Skin Impressions (2004)The development of novel ninhydrin analogues (2005)Infrared spectroscopic imaging of latent fingerprints and associated forensic evidence (2009)Recent advances in the chemical imaging of human fingermarks (a review) (2016)De Novo Green Fluorescent Protein Chromophore-Based Probes for Capturing Latent Fingerprints Using a Portable System (2024)Science and Archaeology (1972)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Origin of the Exotic Blue Color of Copper-Containing Historical Pigments (2014)NIR−NIR fluorescence: A new genre of fingermark visualisation techniques (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ancient Egyptian materials and technology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Micro‐Raman spectroscopic study of pottery fragments from the Lapatsa tomb, Cyprus, ca 2500 BC (2005)On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles (2006)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Modern analytical methods in art and archaeology (2000)Characterization of Iron age pottery from eastern Turkey by laser- induced breakdown spectroscopy (LIBS) (2008)Cultural Heritage Applications of LIBS (2014)What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis (2016)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)A review of ancient Egyptian pigments and cosmetics (2015)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)
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References

  • 2004Changes in the lipid composition of latent fingerprint residue with time after deposition on a surface267 cited
  • 2000Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple153 cited
  • 1999Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art143 cited
  • 2008Green pigments of the Pompeian artists’ palette127 cited
  • 2001Raman Spectroscopic Analysis of Ancient Egyptian Pigments121 cited
  • 2012Nanoscience of an Ancient Pigment99 cited
  • 2007The Application of Infrared Chemical Imaging to the Detection and Enhancement of Latent Fingerprints: Method Optimization and Further Findings93 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
  • 2006Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS)70 cited
  • 2004Raman analysis of pigments from the Egyptian Old Kingdom69 cited
  • 2016Micronised Egyptian blue pigment: A novel near-infrared luminescent fingerprint dusting powder66 cited
  • 2015NIR luminescence for the detection of latent fingerprints based on ESIPT and AIE processes64 cited
  • 2016

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Beyond Vitruvius: New Insight in the Technology of Egyptian Blue and Green Frits
55 cited
  • 2015Investigations into the initial composition of latent fingermark lipids by gas chromatography–mass spectrometry48 cited
  • 2014Synthesis of Amphiphilic Silica Nanoparticles for Latent Fingerprint Detection48 cited
  • Cited by

    • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited