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Living Toys in Thomas Adès’s Living Toys: Transforming the Post-Tonal Topic
16 references·0 citing·24 second hop
Living Toys in Thomas Adès’s Living Toys: Transforming the Post-Tonal Topic (2021)Living Toys in Thomas Adès’s Living Toys:…The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)The Musical Topic in the Twen…Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute (2017)Ligeti’s Laments: Nostalgia, …The Oxford Handbook of Topic Theory (2013)The Oxford Handbook of Topic …Tonality and Transformation (2011)Tonality and TransformationMusical modernism at the turn of the twenty-first century (2010)Musical modernism at the turn…The Danger of Music and Other Anti-Utopian Essays (2008)The Danger of Music and Other…Music as Discourse: Semiotic Adventures in Romantic Music (2008)Music as Discourse: Semiotic …The musical topic: hunt, military, and pastoral (2007)The musical topic: hunt, mili…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION (2005)ON THE RELATION OF MUSICAL TO…Intertextuality in Western art music (2005)Intertextuality in Western ar…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Musical form and Transformation: Four Analytic Essays (1993)Musical form and Transformati…Playing with Signs (1991)Playing with SignsClassic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Manifestoes of Surrealism (1969)Manifestoes of Surrealism‘Clarity bordering on stupidity’: where’s the quality in systematic review? (2005)Windows into nothingness: Terror management, meaninglessness, and negative reactions to modern art. (2006)What is generative art? (2009)Key Components of Musical Discourse Analysis (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Action and Agency Revisited (2013)M eyer's Anvil: Revisiting the Schema Concept (2012)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)A Cognitive Theory of Musical Meaning (2000)Theorizing Musical Meaning (2001)The Viennese symphony 1750 to 1827 (2013)Changing Content in Flagship Music Theory Journals, 1979–2014 (2017)Fretboard Transformations (2018)That Ban(e) of Indian Music: Hearing Politics in The Harmonium (2011)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Emotions in Music (2012)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)The End(s) of Genre (2013)
this work references cited by second hop

References

  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1969Manifestoes of Surrealism646 cited
  • 2013The Oxford Handbook of Topic Theory435 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert426 cited
  • 1991Playing with Signs386 cited
  • 2007The musical topic: hunt, military, and pastoral340 cited
  • 2008Music as Discourse: Semiotic Adventures in Romantic Music277 cited
  • 2005Intertextuality in Western art music275 cited
  • 2008The Danger of Music and Other Anti-Utopian Essays209 cited
  • 2011Tonality and Transformation140 cited
  • 2017Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute89 cited
  • 2010Musical modernism at the turn of the twenty-first century74 cited
  • 2005ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION73 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 2017The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes57 cited
  • 1993Musical form and Transformation: Four Analytic Essays54 cited

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