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AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE
6 references·0 citing·24 second hop
AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE (2005)AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELO…The Topos of Music (2018)The Topos of MusicFrom Contour Similarity to Motivic Topologies (2000)From Contour Similarity to Mo…Fuzzy Extensions to the Theory of Contour (1997)Fuzzy Extensions to the Theor…New Directions in the Theory and Analysis of Musical Contour (1993)New Directions in the Theory …Relating Musical Contours: Extensions of a Theory for Contour (1987)Relating Musical Contours: Ex…The Thematic Process in Music (1951)The Thematic Process in MusicThe Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Motivic analysis according to Rudolph Réti: formalization by a topological model (2008)Representations of motivic spaces of a score in OpenMusic (2008)Can computational music analysis be both musical and computational? (2010)The Structure of Atonal Music (1974)Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Fuzzy sets (1996)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)Basic atonal theory (1980)A Methodology for the Discussion of Contour: Its Application to Schoenberg's "Music" (1985)Generalized Musical Intervals and Transformations (1988)The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse (1991)Music theory and mathematics (2002)A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition (2003)David Lewin and maximally even sets (2007)Logic in Reality (2008)Generalizing Musical Intervals (2009)The Living Work: Organicism and Musical Analysis (1980)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Epistemologies of music theory (2002)Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas (2012)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)
this work references cited by second hop

References

  • 1951The Thematic Process in Music293 cited
  • 1993New Directions in the Theory and Analysis of Musical Contour106 cited
  • 2018The Topos of Music106 cited
  • 1987Relating Musical Contours: Extensions of a Theory for Contour84 cited
  • 1997Fuzzy Extensions to the Theory of Contour68 cited
  • 2000From Contour Similarity to Motivic Topologies24 cited

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