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The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers
7 references·1 citing·20 second hop
The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers (2001)The use of notated and aural exercises as…Chasin' that devil music: searching for the blues (1999)Chasin' that devil music: sea…Charlie Parker: His Music and Life (1997)Charlie Parker: His Music and…The Music of Black Americans: A History (1974)The Music of Black Americans:…The world of Duke Ellington (1970)The world of Duke EllingtonEarly Jazz: Its Roots and Musical Development (1970)Early Jazz: Its Roots and Mus…Experimental and Quasi-Experimental Designs for Research (1963)Experimental and Quasi-Experi…Jazz: A History of the New York Scene (1962)Jazz: A History of the New Yo…Communities of Practice that Contribute to Undergraduate Identity Construction: A Case Study (2018)Communities of Practice that …Mind in Society: The Development of Higher Psychological Processes (1978)Communities of practice learning, meaning, and identity (1999)The Cultural Nature of Human Development (2007)In Search of Will Vodery (1996)The Genesis of "Black, Brown and Beige" (2002)Creativity in Jazz (2014)Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry (2002)Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm (2006)Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933 (2011)James Reese Europe and the Infancy of Jazz Criticism (1987)The Southern Syncopated Orchestra (2008)Methoden kulturwissenschaftlicher Ansätze: Close Reading und Wide Reading (2010)Determining Validity in Qualitative Inquiry (2000)Mixed Methods Research: A Research Paradigm Whose Time Has Come (2004)A meta-analytic test of intergroup contact theory. (2006)Black Music as an Art Form (1983)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)When Malindy Sings: A Meditation on Black Women’s Vocality (2004)Myth and Collective Memory in the Case of Robert Johnson (2007)“The Matter with Your Line”: Gender, Sexual, and Racial Politics in Charley Patton's “Pony Blues” (2015)
this work references cited by second hop

References

  • 1963Experimental and Quasi-Experimental Designs for Research15,090 cited
  • 1974The Music of Black Americans: A History207 cited
  • 1970Early Jazz: Its Roots and Musical Development154 cited
  • 1962Jazz: A History of the New York Scene62 cited
  • 1999Chasin' that devil music: searching for the blues18 cited
  • 1970The world of Duke Ellington15 cited
  • 1997Charlie Parker: His Music and Life11 cited

Cited by

  • 2018Communities of Practice that Contribute to Undergraduate Identity Construction: A Case Study3 cited

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