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Historically, high-end fashion has been reduced to ideas of materialism and functionality in the eyes of the average person. What has commonly been overlooked on the runways of New York, Paris, and Milan was the idea of fashion as an object of art. Some designers, artists, and art historians have always given fashion the warranted classification as art, but this concept is not yet accepted by the regular museum visitor. This paper focuses on three high-end fashion exhibitions that show when a designer’s inspiration and vision is successfully translated into a museum setting, it encourages the visitor to see the interrelationship between fashion and art. These are the exhibitions I visited for my research: “Scaasi: American Couturier” at the Museum of Fine Arts in Boston, “Roberto Capucci: Art into Fashion” at the Philadelphia Museum of Art in Philadelphia, and “Alexander McQueen: Savage Beauty” at The Metropolitan Museum of Art in New York City. These exhibitions deal with designer-artists who transcend the conventional line between fashion and art. Exhibiting high-end fashion is a relatively contemporary phenomenon, and there are challenges involved with translating the designer’s pieces. After thorough research, I have concluded that displaying these high-end fashion pieces in the confines of a museum is difficult, for they rely so heavily on movement, contours of the body, and the designer’s inspiration from the workroom to the runway. It is a challenge that when overcome by remaining true to the context of the designer’s vision, from the initial design to the runway show, encourages the museum visitor to expand his/her definition of art to include fashion.
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