SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Seeing through music: gender and modernism in classic Hollywood film scores
0 references·10 citing·28 second hop
Seeing through music: gender and modernism in classic Hollywood film scores (2012)Seeing through music: gender and modernis…Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Musical Geopolitics: Masculin…Screen Music and the Question of Originality (2017)Screen Music and the Question…Do You Hear the People Sing? Theater and Theatricality in the Trump Campaign (2017)Do You Hear the People Sing? …The Category of Music Film (2016)The Category of Music FilmVisual Media (2015)Visual MediaMusic, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction by Ben Winters (review) (2015)Music, Performance, and the R…Opera as Case History: Freud's Dora, Strauss's Salome, and the Perversity of Modern Life (2014)Opera as Case History: Freud'…“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film (2014)“Something beneath the flesh”…Introduction: Gender, Sexuality, and the Soundtrack (2012)Introduction: Gender, Sexuali…Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood (2012)Detective Agency? Scoring the…Unheard melodies: narrative film music (1988)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Carnal thoughts: embodiment and moving image culture (2005)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Audio-vision: sound on screen (1994)Gender Trouble: Feminism and the Subversion of Identity (1991)Film-Music Theory (2016)The Composer and the Studio (2016)Loving with a Vengeance: Mass-Produced Fantasies for Women (1983)Bossa Mundo (2019)2. The Interpretation of Dreams (1913)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Waiting, Still, or Is Psychoanalysis Tonal? (2016)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Introduction to documentary (2002)Heavy Metal: The Music And Its Culture (2009)Popular Culture and High Culture: An Analysis and Evaluation of Taste. (1977)Constructing the political spectacle (1988)Constructing the Political Spectacle. (1989)Bananas, Beaches, and Bases: Making Feminist Sense of International Politics. (1993)Bananas, Beaches and Bases (2014)Mahler and Migrants on the “Final Frontier”: A Contrapuntal Reading in Small-Screen Musical Geopolitics (2024)Mapping Musical Mobilities: Challenging Musical Nationalism through Mobility and Migration (2024)The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (2008)Group genius: the creative power of collaboration (2007)Musical Creativities in Practice (2012)Critique of Judgement (1790) (2026)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Introduction: Gender, Sexuality, and the Soundtrack29 cited
  • 2015Visual Media19 cited
  • 2014“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film13 cited
  • 2021Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006)5 cited
  • 2012Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood5 cited
  • 2014Opera as Case History: Freud's Dora, Strauss's Salome, and the Perversity of Modern Life4 cited
  • 2016The Category of Music Film4 cited
  • 2017Do You Hear the People Sing? Theater and Theatricality in the Trump Campaign3 cited
  • 2015Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction by Ben Winters (review)2 cited
  • 2017Screen Music and the Question of Originality2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work