The Plays of Beaumont and Fletcher: Sexual Themes and Dramatic Representation

Sandra Clark

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

1. The Beaumont and Fletcher Partnership: Reputation and Collaboration 2. The Price of Virtue: Chastity Plays 3. Gender 4. Misogyny and Manhood 5. Sex and Tyranny 6. Courtship and Marriage in the Comedies 7. Conclusion.

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2012Early Modern Playhouse Manuscripts and the Editing of Shakespeare 2000How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher 2015“It is a pity you are not a woman”: John Lyly and the Creation of Woman 2004Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque 2004Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays 1999Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange 2015The Actress and Baroque Aesthetic Effects in Renaissance Drama 2003Colonialism, Politics, and Romanization in John Fletcher's Bonduca

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