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The Plays of Beaumont and Fletcher: Sexual Themes and Dramatic Representation
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Cited by

  • 2012Early Modern Playhouse Manuscripts and the Editing of Shakespeare177 cited
  • 2000How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher31 cited
  • 2015“It is a pity you are not a woman”: John Lyly and the Creation of Woman27 cited
  • 2004Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque24 cited
  • 2004Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays13 cited
  • 1999Scissors and Needles: Inchbald's Wives as They Were, Maids as They are and the Governance of Sexual Exchange11 cited
  • 2015The Actress and Baroque Aesthetic Effects in Renaissance Drama10 cited
  • 2003Colonialism, Politics, and Romanization in John Fletcher's Bonduca10 cited
  • 2002Mixed Government and Mixed Marriage in A King and No King: Sir Henry Neville Reads Beaumont and Fletcher9 cited
  • 2007“Justice shall never heare ye, I am justice”: absolutist rape and cyclical history in John Fletcher’s The Tragedy of Valentinian6 cited
  • 2014The Politics of Suicide in John Fletcher's Tragedie of Bonduca3 cited
  • 2007Virolet and Martia the Pirate’s Daughter: Gender and Genre in Fletcher and Massinger’s The Double Marriage2 cited

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