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Building a Scene: The Text and Its Representation in The Atheist’s Tragedy
8 references·1 citing·27 second hop
Building a Scene: The Text and Its Representation in The Atheist’s Tragedy (1985)Building a Scene: The Text and Its Repres…Elizabethan Popular Theatre: Plays in Performance. (1988)Elizabethan Popular Theatre: …Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)Radical Tragedy: Religion, Id…Elizabethan Stage Conventions and Modern Interpreters (1984)Elizabethan Stage Conventions…Languages of the Stage; Essays in the Semiology of Theatre (1983)Languages of the Stage; Essay…"Playhouse Flesh and Blood": Sexual Ideology and the Restoration Actress (1979)"Playhouse Flesh and Blood": …The Actor's Freedom: Toward a Theory of Drama (1976)The Actor's Freedom: Toward a…The Multiple Plot in English Renaissance Drama (1969)The Multiple Plot in English …Brecht on Theatre: The Development of an Aesthetic (1964)Brecht on Theatre: The Develo…Introduction (2002)IntroductionFrom Mankind to Marlowe (1962)Shakespeare and the Popular Tradition in the Theater (1987)Playgoing in Shakespeare's London. (1988)Stage Fright, Animals, and Other Theatrical Problems (2006)A Narrative Policy Framework: Clear Enough to Be Wrong? (2010)Theory Construction in Qualitative Research (2012)Theatrical Convention and Audience Response in Early Modern Drama (2002)The Shakespearean Stage Space (2012)Thinking Through Place on the Early Modern English Stage (2020)Marlowe's Edward II and the Medieval Passion Play (1998)"Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater (2005)The Sacralization of Revenge in Antonio's Revenge (2005)Brechtian theory/feminist theory (2003)Movement training for the modern actor (2009)Movement Training for the Modern Actor (2009)Gender, theatre, and the origins of criticism from Dryden to Manley (2002)Women and Shakespeare in the Restoration and Eighteenth Century (2008)The Rival Sirens (2013)The New Historicism and Its Discontents: Politicizing Renaissance Drama (1987)Euripides' Escape-Tragedies (2005)Shakespeare and Republicanism (2005)The subject in danger: A reply to Richard Levin (1989)“A Wittall cannot be a cookold”: Reading the Contented Cuckold in Early Modern English Drama and Culture (2001)A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives (2019)Mysteries of identity and designs of the self in Euripides'Ion (1989)Antigone's Bones (2008)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)
this work references cited by second hop

References

  • 1964Brecht on Theatre: The Development of an Aesthetic1,552 cited
  • 1985Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries.513 cited
  • 1984Elizabethan Stage Conventions and Modern Interpreters157 cited
  • 1983Languages of the Stage; Essays in the Semiology of Theatre82 cited
  • 1979"Playhouse Flesh and Blood": Sexual Ideology and the Restoration Actress59 cited
  • 1988Elizabethan Popular Theatre: Plays in Performance.46 cited
  • 1976The Actor's Freedom: Toward a Theory of Drama46 cited
  • 1969The Multiple Plot in English Renaissance Drama39 cited

Cited by

  • 2002Introduction3 cited

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