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Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting
16 references·0 citing·36 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2001Provincializing Europe: Postcolonial Thought and Historical Difference9,551 cited
  • 1988Under Western Eyes: Feminist Scholarship and Colonial Discourses4,844 cited
  • 2005Politics of Piety: The Islamic Revival and the Feminist Subject2,795 cited
  • 2006Identity and Violence: The Illusion of Destiny1,323 cited
  • 1999The Ideology of Religious Studies976 cited
  • 1989colonialism, nationalism, and colonialized women: the contest in India685 cited
  • 1984The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author'611 cited
  • 2013Before religion: a history of a modern concept525 cited
  • 1999Orientalism and Religion: Post-Colonial Theory, India and "The Mystic East"426 cited
  • 1999Remaking women: feminism and modernity in the Middle East383 cited
  • 1998Can Culture Be Copyrighted?328 cited
  • 2017Empire and sexuality262 cited
  • 1976The south Indian temple: authority, honour and redistribution210 cited
  • 1997Rewriting the Script for South Indian Dance196 cited
  • 2002

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Sexuality, Obscenity, Community ; Women Muslims and the Hindu Public in Colonial India
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