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The American musical and the performance of personal identity
0 references·16 citing·42 second hop
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  • 2012“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song15 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2008Eliza, where the devil are my songs?: negotiating voice, text and performance analysis in Rex Harrison's Henry Higgins11 cited
  • 2013Music and Sexuality10 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2019Going Global: The International Spread of Viennese Silver-Age Operetta5 cited
  • 2016“Enough of Being Basely Tearful”: “Glitter and Be Gay” and the Camp Politics of Queer Resistance5 cited
  • 2024Singing Utopia3 cited
  • 2011Moulin Rouge! and the Boundaries of Opera

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3 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited