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Swinging the machine: modernity, technology, and African American culture between the World Wars
0 references·16 citing·46 second hop
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  • 2005Crossroads of Cultures: The Transnational Turn in American Studies--Presidential Address to the American Studies Association, November 12, 2004284 cited
  • 2006Technology and Its Discontents: On the Verge of the Posthuman112 cited
  • 2010Garage band or GarageBand®? Remixing musical futures101 cited
  • 2013Habit and Affect: Revitalizing a Forgotten History72 cited
  • 2006Long Lines: AT&T's Long-Distance Network as an Organizational and Political Strategy30 cited
  • 2006"Slow and Low Progress," or Why American Studies Should Do Technology30 cited
  • 2007Harmonious relations? Music at work in the Rowntree and Cadbury factories28 cited
  • 2005A delicate dance: autoethnography, curriculum, and the semblance of intimacy26 cited
  • 2014The Cambridge Companion to Duke Ellington24 cited
  • 2020Kick It24 cited
  • 2015The living line: modern art and the economy of energy22 cited
  • 2007‘THEY TREAT US WHITE FOLKS FINE’20 cited
  • 2007Music and Meaning on the Factory Floor20 cited
  • 2008Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions19 cited
  • 2006

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The Wire Devils: Pulp Thrillers, the Telephone, and Action at a Distance in the Wiring of a Nation
19 cited
  • 2023Rhythmical Subjects19 cited