SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Prima Donna: A History
0 references·5 citing·20 second hop
Prima Donna: A History (1984)Prima Donna: A HistoryThe rival sirens: performance and identity on Handel's operatic stage (2014)The rival sirens: performance…The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist (2007)The Singer or the Song? Devel…ARMGART'S VOICE PROBLEMS (2006)ARMGART'S VOICE PROBLEMSDivafication: The deification of modern female pop stars (2001)Divafication: The deification…Women and Music (1992)Women and MusicEconomics and Culture (2000)Rewards versus Intellectual Property Rights (2001)An Economic Analysis of Copyright Law (2004)Flamenco y derechos de autor. El caso de Camarón de la Isla (2019)Why Does Copyright Ignore Performers? The Case of Flamenco in Spain (2019)The Hole Truth (1989)Bitch: In Praise of Difficult Women (1998)The Miseducation of Lauryn Hill (1999)Writing beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers (1987)Noise, the Political Economy of Music (1989)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Society and Culture in Early Modern France (1969)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Feminine Endings: Music, Gender, and Sexuality (1992)An Analysis of Gender in a Spanish Music Textbook (2000)The History of Sexuality (1976)Discipline and Punish: The Birth of the Prison. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber (2015)Ways to Possess a Singer in 1830s London (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2001Divafication: The deification of modern female pop stars23 cited
  • 1992Women and Music15 cited
  • 2007The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist14 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2006ARMGART'S VOICE PROBLEMS5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work