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Collaborative Learning in Higher Music Education
0 references·16 citing·51 second hopsampled
Collaborative Learning in Higher Music Education (2016)Collaborative Learning in Higher Music Ed…Psychological interventions for the self-regulated enhancement of music performance: A systematic review (2024)Psychological interventions f…Mapping interdisciplinary collaboration in music education: analysis of models in higher education across North America, Europe, Oceania, and Asia (2023)Mapping interdisciplinary col…Living with liminality: Reconceptualising music careers education and research (2023)Living with liminality: Recon…Modern music production equipment and how it can be used in student teaching: overture and its impact on motivation and interest in electronic music creation (2022)Modern music production equip…Fostering transformative professionalism through curriculum changes within a Bachelor of Music (2021)Fostering transformative prof…Expanding Professionalism in Music and Higher Music Education (2021)Expanding Professionalism in …The value of collaborative learning for music practice in higher education (2020)The value of collaborative le…Gamifying the flipped classroom: how to motivate Chinese ESL learners? 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From transfer to transformative approaches to one-to-one pedagogy (2014)Teachers of instruments, or t…Mind in Society: The Development of Higher Psychological Processes (1978)Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)Choral conducting education: The lifelong entanglement of competence, identity and meaning (2020)“Play with me”: Student perspectives on collaborative chamber music instruction (2021)Transformative Dimensions of Adult Learning (1991)Becoming a critically reflective teacher (1996)Transformative Learning: Theory to Practice (1997)Music instrument teachers in higher education: an investigation of the key influences on how they teach in the studio (2017)Online learning in higher music education: Benefits, challenges and drawbacks of one-to-one videoconference instrumental lessons (2020)The nature of feedback in higher education studio-based piano learning and teaching with the use of digital technology1 (2020)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. 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Bigenerational Finnish composers’ pathways and livelihoods in changing ecosystems (2022)Emotion and Meaning in Music (1961)Musicking: the meanings of performing and listening (1999)Ethnopedagogy of the osing tribe folk song: exploration and formation of biology learning character (2019)Structural components of the competence of self-expression of the future teacher of music art in the context of the competence approach (2022)Students’ Personal Experience vis-à-vis Personal Interest Towards Philippine Traditional Dances with Respect to Dance Steps, Music, Costume, and Dance History for Preservation Endeavors: Does it Matter? (2024)Art as Experience (1934) (2026)Language in the inner city: studies in the Black English Vernacular. By William Labov. Philadelphia: University of Pennsylvania Press, 1972. Pp. xxiv, 412. $6.95. (1975)Qualitative research and case study applications in education (1998)School Engagement: Potential of the Concept, State of the Evidence (2004)Kahoot, is it fun or unfun? Gamifying vocabulary learning to boost exam scores, engagement, and motivation (2022)Writing metacognitive strategy-based instruction through flipped classroom: an investigation of writing performance, anxiety, and self-efficacy (2023)Enhancing EFL/ESL instruction through gamification: a comprehensive review of empirical evidence (2024)Experiential Learning : Experience as the Source of Learning and Development (1983)Gender Trouble: Feminism and the Subversion of Identity (1991)Using thematic analysis in psychology (2006)Toward a nuanced understanding of musicians’ professional learning pathways: What does critical reflection contribute? (2021)Understanding the musical identity and career thinking of postgraduate classical music performance students (2022)Learning to make a difference: Value creation in social learning spaces (2021)A systematic literature review of collaborative learning in conservatoire education (2023)Autonomy-supportive music teaching, collective learning, flow, and music Students' well-being: A mediational model (2025)
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  • 2021Expanding Professionalism in Music and Higher Music Education71 cited
  • 2019Gamifying the flipped classroom: how to motivate Chinese ESL learners?61 cited
  • 2017Mapping trends and framing issues in higher music education: Changing minds/changing practices54 cited
  • 2016Peer learning in specialist higher music education51 cited
  • 2015Communities of practice in the conservatory: learning with a professional musician40 cited
  • 2020The value of collaborative learning for music practice in higher education36 cited
  • 2014Teachers of instruments, or teachers as instruments? From transfer to transformative approaches to one-to-one pedagogy31 cited
  • 2018Creating a career as a woman composer: Implications for music in higher education28 cited
  • 2017Enhancing learning and teaching in the tertiary music studio through reflection and collaboration24 cited
  • 2018The Relationship Between Music, Culture, and Society: Meaning in Music21 cited
  • 2023Mapping interdisciplinary collaboration in music education: analysis of models in higher education across North America, Europe, Oceania, and Asia19 cited
  • 2023Living with liminality: Reconceptualising music careers education and research15 cited
  • 2017More than Just Music: Reconsidering the Educational Value of Music in School Rituals13 cited

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  • 2021Fostering transformative professionalism through curriculum changes within a Bachelor of Music12 cited
  • 2024Psychological interventions for the self-regulated enhancement of music performance: A systematic review11 cited
  • 2022Modern music production equipment and how it can be used in student teaching: overture and its impact on motivation and interest in electronic music creation11 cited