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Code de musique pratique (1965)Code de musique pratiqueToward a “Global” History of Music Theory (2022)Toward a “Global” History of …Rameaus langer Schatten: Studien zur deutschen Musiktheorie des 18. Jahrhunderts. By Ludwig Holtmeier (2019)Rameaus langer Schatten: Stud…Rameau’s Theory of Supposition and French Baroque Harmonic Practice (2016)Rameau’s Theory of Suppositio…BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’ (2015)BLAINVILLE'S NEW MODE, OR HOW…Comparative Organography in Early Modern Empires (2009)Comparative Organography in E…Rameau reading Lully: Meaning and system in Rameau's recitative tradition (1994)Rameau reading Lully: Meaning…Fundamental Bass Theory Meets Practice: Evidence from a Composition Contest (1994)Fundamental Bass Theory Meets…Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract? (1982)Models of Underlying Tonal St…Rameau's Nouvelle Méthode (1974)Rameau's Nouvelle MéthodeCourse in General Linguistics (1960)The Responsibility of Forms: Critical Essays on Music, Art, and Representation (1986)Racine Redux?: The Operatic Afterlife of Phèdre (1998)Structure and expression in the scènes of Rameau's Hippolyte et Aricie (1998)What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs (1999)Course in General Linguistics (2013)Strict Counterpoint and Tonal Theory (1975)Toward a Formal Theory of Tonal Music (1977)Aspects of Musical Explanation (1979)Modes, Prolongations, and Analysis (1986)Bach's Partita No. 1 inB♭, BWV825: Schenker's Unpublished Sketches with Commentary and Alternative Readings (2008)The line of fifths and the co-evolution of tonal pitch-classes (2022)Dictionnaire de musique (1913)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)An Actor Prepares (1936)Morphology of the folktale (1958)The Art of Dramatic Writing (2007)Guns, Germs, and Steel: The Fates of Human Societies. (1997)The Eastern Origins of Western Civilisation (2004)The Historiography of Music in Global Perspective (2010)Culture and Imperialism (2017)Whither musicology? Amateur musicologists and music writing in Bengal (2017)Em busca do limiar sonoro: gestos, sons e riscos na afinação das folias (2021)Greek Musical Writings (1990)The Cambridge History of Western Music Theory (2002)Music in the Galant Style (2007)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)Compositional theory in the eighteenth century (1993)Compositional Theory in the Eighteenth Century (1994)Rameau and Musical Thought in the Enlightenment (1994)Generalized Musical Intervals and Transformations (1988)Essai sur l'origine des langues (2002)
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Cited by

  • 2015BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’19 cited
  • 2009Comparative Organography in Early Modern Empires13 cited
  • 1982Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract?13 cited
  • 1994Rameau reading Lully: Meaning and system in Rameau's recitative tradition12 cited
  • 2022Toward a “Global” History of Music Theory4 cited
  • 1974Rameau's Nouvelle Méthode3 cited
  • 1994Fundamental Bass Theory Meets Practice: Evidence from a Composition Contest3 cited
  • 2016Rameau’s Theory of Supposition and French Baroque Harmonic Practice3 cited
  • 2019Rameaus langer Schatten: Studien zur deutschen Musiktheorie des 18. Jahrhunderts. By Ludwig Holtmeier3 cited

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