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Fashion and fiction: dress in art and literature in Stuart England
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Fashion and fiction: dress in art and literature in Stuart England (2006)Fashion and fiction: dress in art and lit…Queen Catherine, a Bragança in seventeenth-century London (2020)Queen Catherine, a Bragança i…Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World (2020)Lively Limning: Presence in P…‘I think myself honestly decked’: Attitudes to the Clothing of the Rural Poor in Seventeenth-Century England (2015)‘I think myself honestly deck…Sexuality, Identity and the Clothed Male Body (2014)Sexuality, Identity and the C…An ‘absolute Mistris of her Self’: Anne Clifford and the Luxury of Hair (2011)An ‘absolute Mistris of her S…The Construction of Northumberland House and the Patronage of its Original Builder, Lord Henry Howard, 1603–14 (2010)The Construction of Northumbe…Costume is the Key: Seventeenth Century Miniature Portraits with Costume Overlays (2007)Costume is the Key: Seventeen…Clothing, age and the body: a critical review (2007)Clothing, age and the body: a…Materializing the Eighteenth Century: Dress History, Literature, and Interdisciplinary Study (2006)Materializing the Eighteenth …The Presentation of Self in Everyday Life. (1956)Gender Trouble: Feminism and the Subversion of Identity (1991)The Location of Culture (2012)Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (1987)Book Review: Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities (1989)Cities of the dead: circum-Atlantic performance (1996)The object of fashion: methodological approaches to the history of fashion (2011)Men of Parts: Masculine Embodiment and the Male Leg in Eighteenth-Century England (2015)The Letters of John Chamberlain (1941)Graham Parry. The Golden Age Restor'd: The Culture of the Stuart Court, 1603–42. New York: St. Martin's Press. 1981. Pp. xi, 276. $27.50 (1982)The Mental World of the Jacobean Court (1993)The English Private Library in the Seventeenth Century (2012)THE ARCHITECTURAL TRANSFORMATION OF NORTHUMBERLAND HOUSE UNDER THE 7TH DUKE OF SOMERSET AND THE 1ST DUKE AND DUCHESS OF NORTHUMBERLAND, 1748–86 (2016)Dress and Morality (1986)Images of Love and Religion: Queen Henrietta Maria and Court Entertainments (1991)The early Stuart masque: dance, costume, and music (2007)Phenomenology of Perception (1982)Aging and the Body: A Review (2011)Bodies That Matter (2011)Incompetent or Too Competent? Negotiating Everyday Cycling Identities in a Motor Dominated Society (2012)Embodying positive aging and neoliberal rationality: Talking about the aging body within narratives of retirement (2015)Small Books and Pleasant Histories: Popular Fiction and Its Readership in Seventeenth-Century England. (1982)Cheap Print and Popular Piety, 1550-1640 (1992)Cheap print and popular piety, 1550-1640 (1992)The Idea of Luxury (1994)From the Beast to the Blonde: On Fairy Tales and Their Tellers (1999)Renaissance clothing and the materials of memory (2001)Iconografía del arte cristiano (2002)The boke named The gouernour (1883)A Briefe and True Report of the New Found Land of Virginia (1972)Elizabethan rhetoric: theory and practice (2003)The Logical Renaissance (2023)
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Cited by

  • 2007Clothing, age and the body: a critical review251 cited
  • 2010The Construction of Northumberland House and the Patronage of its Original Builder, Lord Henry Howard, 1603–1421 cited
  • 2015‘I think myself honestly decked’: Attitudes to the Clothing of the Rural Poor in Seventeenth-Century England19 cited
  • 2020Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World13 cited
  • 2006Materializing the Eighteenth Century: Dress History, Literature, and Interdisciplinary Study6 cited
  • 2014Sexuality, Identity and the Clothed Male Body2 cited
  • 2007Costume is the Key: Seventeenth Century Miniature Portraits with Costume Overlays1 cited
  • 2011An ‘absolute Mistris of her Self’: Anne Clifford and the Luxury of Hair1 cited
  • 2020Queen Catherine, a Bragança in seventeenth-century London1 cited

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