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Constructing the Image of the Mexican Revolution: Cinema and the Archive
7 references·0 citing·21 second hop
Constructing the Image of the Mexican Revolution: Cinema and the Archive (2010)Constructing the Image of the Mexican Rev…Cinemachismo: Masculinities and Sexuality in Mexican Film (2006)Cinemachismo: Masculinities a…The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)The Emergence of Cinematic Ti…The Life and Times of Pancho Villa (2001)The Life and Times of Pancho …The Fence and the River: Culture and Politics at the U.S.-Mexico Border (1999)The Fence and the River: Cult…Howard Hawks: the grey fox of Hollywood (1997)Howard Hawks: the grey fox of…Babel and Babylon: Spectatorship in American Silent Film. (1992)Babel and Babylon: Spectators…The Parade's Gone By . . . (1968)The Parade's Gone By . . .From Griffith's Girls to Daddy's Girl: The Masks of Innocence in Tender Is the Night (1980)The Movie Palace and the Theatrical Sources of Its Architectural Style (1981)"Ramon is not one of these": Race and Sexuality in the Construction of Silent Film Actor Ramón Novarro's Star Image (2011)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)The Cinema of Attractions Reloaded (2006)Alternative Shakespeares (1987)Anthropology and Mass Media (1993)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)La Revolucion: Mexico's Great Revolution as Memory, Myth, and History (2000)The politics of property rights: political instability, credible commitments, and economic growth in Mexico, 1876-1929 (2004)The Robin Hood Principle: Folklore, History, and the Social Bandit (2009)The Fungibility of Borders (2000)Walls and Border Art: The Politics of Art Display (2012)The Cambridge Companion to Transnational American Literature (2017)Fear of the Trannies: On Filmic Phobia of Transvestism in the New Latin American Cinema (2008)Changing Constructions of Machismo for Latino Men in Therapy: “The Devil Never Sleeps” (2010)Sex/Gender and the Media (2011)Dulce et decorum est pro patria mori? (2000)Imaging/Imagining Air Force Identity: "Hap" Arnold, Warner Bros., and the Formation of the USAAF First Motion Picture Unit (2005)La influencia de la fotografía americana del siglo XIX en el imaginario cinematográfico del western clásico. El caso de Río Rojo de Howard Hawks (1948) (2020)
this work references cited by second hop

References

  • 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive1,051 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 1999The Fence and the River: Culture and Politics at the U.S.-Mexico Border177 cited
  • 2001The Life and Times of Pancho Villa91 cited
  • 2006Cinemachismo: Masculinities and Sexuality in Mexican Film76 cited
  • 1997Howard Hawks: the grey fox of Hollywood71 cited
  • 1968The Parade's Gone By . . .49 cited

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