Constructing the Image of the Mexican Revolution: Cinema and the Archive

Zuzana M. Pick

30 citations0/0 files storedProject Muse (Johns Hopkins University)

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Cinema History and Criticism Historical Studies in Latin America Visual Culture and Art Theory

Abstract

Acknowledgments Introduction. Visualizing and Romancing the Revolution Chapter 1. The Revolution as Media Event: Documentary Image and the Archive Chapter 2. Historicity and the Archive: Reconstruction and Appropriation Chapter 3. Pancho Villa on Two Sides of the Border Chapter 4. Avant-Garde Gestures and Nationalist Images of Mexico in Eisenstein's Unfinished Project Chapter 5. Reconfiguring the Revolution: Celebrity and Melodrama Chapter 6. The Aesthetics of Spectacle Chapter 7. Competing Narratives and Converging Visions Conclusion. Thoughts on Working with the Archive Notes Bibliography Index

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References

2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive 1992Babel and Babylon: Spectatorship in American Silent Film.1999The Fence and the River: Culture and Politics at the U.S.-Mexico Border 2001The Life and Times of Pancho Villa 2006Cinemachismo: Masculinities and Sexuality in Mexican Film 1997Howard Hawks: the grey fox of Hollywood 1968The Parade's Gone By . . .

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