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Chemometric Tools to Point Out Benchmarks and Chromophores in Pigments through Spectroscopic Data Analyses
13 references·2 citing·48 second hop
Chemometric Tools to Point Out Benchmarks and Chromophores in Pigments through Spectroscopic Data Analyses (2021)Chemometric Tools to Point Out Benchmarks…PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments (2021)PLS-DA and data fusion of vis…Comprehensive study of an ancient Egyptian foot case cartonnage using Raman, ESEM-EDS, XRD and FTIR (2019)Comprehensive study of an anc…Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings (2016)Visualization of As( iii ) an…Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Pigments Checker version 3.0,…Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy for the in…A multi-analytical approach for the study of the pigments used in the wall paintings from a building complex on the Caelian Hill (Rome) (2013)A multi-analytical approach f…Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment (2011)Spectroscopic, morphological …Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Reflection infrared spectrosc…Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Raman spectroscopic discrimin…Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers (2008)Complementary use of the Rama…Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Comparison between micro-Rama…Yellow and red ochre pigments from southern Portugal: Elemental composition and characterization by WDXRF and XRD (2007)Yellow and red ochre pigments…Diffuse reflection FTIR spectral database of dyes and pigments (2006)Diffuse reflection FTIR spect…Historical Pigments and Paint Layers: Raman Spectral Library with 852 nm Excitation Laser (2024)Historical Pigments and Paint…Lighting Up the Heritage Sciences: The Past and Future of Laser-Induced Fluorescence Spectroscopy in the Field of Cultural Goods (2023)Lighting Up the Heritage Scie…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, 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fast drying oil colour (FDOC) alkyd paint replicas (2014)Developing FTIR microspectroscopy for analysis of plant residues on stone tools (2017)A new instrument adapted to in situ Raman analysis of objects of art (2004)In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy (2005)Raman Spectrometry, a Unique Tool to Analyze and Classify Ancient Ceramics and Glasses (2007)Combined use of FORS, XRF and Raman spectroscopy in the study of mural paintings in the Aosta Valley (Italy) (2009)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Handheld XRF for Art and Archaeology (2013)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Diffuse reflectance FTIR database for the interpretation of the spectra obtained with a handheld device on built heritage materials (2014)New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks (2019)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium (2008)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Analytical chemistry in the field of cultural heritage (2015)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Pigment Compendium: A Dictionary of Historical Pigments (2007)Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics (2011)Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art (2014)An overview of Principal Components Analysis approaches in Raman studies of cultural heritage materials (2023)The colour of ochres explained by their composition (2005)PIXE characterisation of prehistoric pigments from Abri Pataud (Dordogne, France) (2011)An investigation into the properties of the ochre from Sibudu, KwaZulu-Natal, South Africa (2012)Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy) (2018)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh (2012)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study (2017)Pigments—Arsenic-based yellows and reds (2021)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)60 years of street art: A comparative study of the artists’ materials through spectroscopic and mass spectrometric approaches (2020)
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References

  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2016Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database207 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
  • 2006Diffuse reflection FTIR spectral database of dyes and pigments87 cited
  • 2008Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers78 cited
  • 2007Yellow and red ochre pigments from southern Portugal: Elemental composition and characterization by WDXRF and XRD64 cited
  • 2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited
  • 2010Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra51 cited
  • 2013A multi-analytical approach for the study of the pigments used in the wall paintings from a building complex on the Caelian Hill (Rome)44 cited
  • 2021PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments42 cited

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  • 2019Comprehensive study of an ancient Egyptian foot case cartonnage using Raman, ESEM-EDS, XRD and FTIR30 cited
  • Cited by

    • 2023Lighting Up the Heritage Sciences: The Past and Future of Laser-Induced Fluorescence Spectroscopy in the Field of Cultural Goods17 cited
    • 2024Historical Pigments and Paint Layers: Raman Spectral Library with 852 nm Excitation Laser17 cited