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The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition
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The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition (2021)The Mozart Expositional Punctuation Corpu…The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets (2018)The Annotated Beethoven Corpu…What Is a Cadence? (2015)What Is a Cadence?THE MOZARTEAN HALF CADENCE (2015)THE MOZARTEAN HALF CADENCEKoch’s Metrical Theory and Mozart’s Music (2012)Koch’s Metrical Theory and Mo…Mid-section cadences in Haydn’s sonata-form movements (2010)Mid-section cadences in Haydn…Music in the Galant Style (2007)Music in the Galant StyleElements of Sonata Theory (2006)Elements of Sonata TheoryThe Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Sonata form (2001)Sonata formClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Tonal Harmony, with an Introduction to Twentieth-Century Music (1986)Tonal Harmony, with an Introd…Harmony and Voice Leading (1982)Harmony and Voice LeadingVersuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Classic Music: Expression, Form, and Style (1981)Classical Form (1998)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music Theory and the White Racial Frame (2020)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites (2014)Beethoven and the Obscured Medial Caesura (2013)Sonata Form and the Problem of Second‐Theme Beginnings (2013)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary Measures (2011)Action and Agency Revisited (2013)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)How Sonata Forms (2022)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 2007Music in the Galant Style432 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 1982Harmony and Voice Leading225 cited
  • 1986Tonal Harmony, with an Introduction to Twentieth-Century Music137 cited
  • 2001Sonata form73 cited
  • 2010Mid-section cadences in Haydn’s sonata-form movements69 cited
  • 2018The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets50 cited
  • 2015THE MOZARTEAN HALF CADENCE21 cited
  • 2015What Is a Cadence?18 cited
  • 2012Koch’s Metrical Theory and Mozart’s Music12 cited

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