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Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation
15 references·0 citing·41 second hop
Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation (2021)Exploring the Outlands : A Case-Study on …Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities (2019)Digital Art through the Looki…Archiving complex digital artworks (2019)Archiving complex digital art…What is the Object? Identifying and describing time-based artworks (2018)What is the Object? Identifyi…Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 2016 (2018)Drawings you can walk on – Mi…New Collecting: Exhibiting and Audiences after New Media Art (2016)New Collecting: Exhibiting an…Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation (2016)Authenticity in Transition: C…Artists’ interviews and their use in conservation: reflections on issues and practices (2016)Artists’ interviews and their…Reading between the lines: Source code documentation as a conservation strategy for software-based art (2014)Reading between the lines: So…Preserving and Exhibiting Media Art (2013)Preserving and Exhibiting Med…The artist interview: for conservation and presentation of contemporary art: guidelines and practice (2012)The artist interview: for con…Towards a Methodology for Software Preservation (2009)Towards a Methodology for Sof…The Artist's Sanction in Contemporary Art (2005)The Artist's Sanction in Cont…THE MANAGEMENT OF DISPLAY EQUIPMENT IN TIME-BASED MEDIA INSTALLATIONS (2004)THE MANAGEMENT OF DISPLAY EQU…Contemporary theory of conservation (2002)Contemporary theory of conser…Toward Guidelines for Practice in the Preservation and Documentation of Technology-Based Installation Art (2001)Toward Guidelines for Practic…Reading Between the Lines (2004)New Media Art (2006)Processing: A Programming Handbook for Visual Designers and Artists (2007)SOURCE CODE ANALYSIS AS TECHNICAL ART HISTORY (2015)Conservation of flash-based media art a case study of (2026)Categories of Art (1970)The Postulated Author: Critical Monism as a Regulative Ideal (1981)Forgery and the Corruption of Aesthetic Understanding (2007)Installation Art and Performance: A Shared Ontology (2013)Games (2020)Illuminating video: an essential guide to video art (1991)Avoiding Technological Quicksand: Finding a Viable Technical Foundation for Digital Preservation (1999)Risk Management of Digital Information: A File Format Investigation (2001)e-Installation: Synesthetic Documentation of Media Art via Telepresence Technologies (2016)Documentando dilemas. Sobre la relevancia de los casos éticamente ambiguos (2017)Divergent conservation: cultural sector opportunities and challenges relating to the development of time-based art conservation in Australasia (2020)The Past is a Foreign Country (1986)Possessed by the past: the heritage crusade and the spoils of history (1997)Deacidification for the conservation and preservation of paper-based works: A review (2010)THE SEVEN LAMPS OF ARCHITECTURE (2010)Science, value and material decay in the conservation of historic environments (2016)Review of preventive conservation in museum buildings (2017)The Transfiguration of The Commonplace (1974)Musical Works and Performances (2001)Preserving what is valued: museums, conservation, and First Nations (2002)Preservation practices of new media artists (2017)Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation (2020)Introduction: The discipline and practice of qualitative research. (2005)Constructing grounded theory : a practical guide through qualitative analysis (2006)Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)Forms and factors of deterioration of urban art murals under humid temperate climate; influence of environment and material properties (2022)Conservation Processing of Modern and Contemporary Outdoor Bronze Sculptures (2023)Preservation and technological obsolescence: Portuguese contemporary musical heritage in perspective (2018)Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation (2019)An invariant framework for conducting reproducible computational science (2015)Towards Reproducibility in Scientific Workflows: An Infrastructure-Based Approach (2015)Reproducibility of execution environments in computational science using Semantics and Clouds (2016)Conservation of Contemporary Art (2023)Virtual museums: interpreting and recreating digital cultural content (2021)VR/AR artworks in the museum: Redefining preservation through collaboration (2024)Artificial Intelligence and Creativity (2025)
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References

  • 2002Contemporary theory of conservation419 cited
  • 2005The Artist's Sanction in Contemporary Art152 cited
  • 2012The artist interview: for conservation and presentation of contemporary art: guidelines and practice43 cited
  • 2016New Collecting: Exhibiting and Audiences after New Media Art31 cited
  • 2004THE MANAGEMENT OF DISPLAY EQUIPMENT IN TIME-BASED MEDIA INSTALLATIONS28 cited
  • 2001Toward Guidelines for Practice in the Preservation and Documentation of Technology-Based Installation Art28 cited
  • 2019Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities23 cited
  • 2009Towards a Methodology for Software Preservation17 cited
  • 2014Reading between the lines: Source code documentation as a conservation strategy for software-based art14 cited
  • 2016Artists’ interviews and their use in conservation: reflections on issues and practices13 cited
  • 2013Preserving and Exhibiting Media Art12 cited
  • 2018What is the Object? Identifying and describing time-based artworks11 cited
  • 2016Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation10 cited
  • 2019Archiving complex digital artworks8 cited
  • 2018

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Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 2016
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