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Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities
16 references·0 citing·32 second hop
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References

  • 2005Reassembling the Social17,209 cited
  • 1994We Have Never Been Modern7,949 cited
  • 2004Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern5,778 cited
  • 2008The Birth of Biopolitics1,944 cited
  • 1989The Pasteurization of France1,811 cited
  • 2014An Inquiry into Modes of Existence: An Anthropology of the Moderns1,163 cited
  • 2004Desert islands and other texts, 1953-1974879 cited
  • 2011Silence : lectures and writings865 cited
  • 1999Noise, Water, Meat613 cited
  • 1953Semantics and the Philosophy of Language.449 cited
  • 1996Improvised Music after 1950: Afrological and Eurological Perspectives419 cited
  • 2018The Progress of This Storm: Nature and Society in a Warming World401 cited
  • 1963Perspectives of New Music383 cited
  • 2008A Power Stronger Than Itself301 cited
  • 2010The Persistence of the Negative280 cited
  • 2011Beyond Representation and Signification: Toward a Sonic Materialism280 cited

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