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Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings
16 references·1 citing·35 second hop
Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings (2021)Time‐of‐flight secondary ion mass spectro…Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Mineral Pigments in Archaeolo…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Lead soaps in paintings: Friends or foes? (2016)Lead soaps in paintings: Frie…Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Characterisation of metal car…Organic Mass Spectrometry in Art and Archaeology (2009)Organic Mass Spectrometry in …Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Identification of reaction co…Pigment Compendium (2008)Pigment CompendiumKinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums (2006)Kinetics of oil saponificatio…FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)FTIR Studies of the Effects o…Colour and art: A brief history of pigments (2005)Colour and art: A brief histo…Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)Analytical Imaging Studies Cl…Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Imaging Secondary Ion Mass Sp…A GC-MS study on the deterioration of lipidic paint binders (2002)A GC-MS study on the deterior…GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)GC-MS characterization of pro…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…The Gas Chromatographic Examination of Paint Media. 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References

  • 1979National Gallery Technical Bulletin346 cited
  • 2008Pigment Compendium317 cited
  • 2009Organic Mass Spectrometry in Art and Archaeology309 cited
  • 2014Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art237 cited
  • 2005FTIR Studies of the Effects of Pigments on the Aging of Oil232 cited
  • 2018Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials222 cited
  • 2005Colour and art: A brief history of pigments205 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
  • 2016Lead soaps in paintings: Friends or foes?114 cited
  • 2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
  • 2009Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR106 cited
  • 2002A GC-MS study on the deterioration of lipidic paint binders106 cited
  • 2006

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Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums
101 cited
  • 2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden99 cited
  • Cited by

    • 2022Dual-polarity MALDI mass spectrometry and imaging of oil binders and fatty acids in artworks using cyanographene as a single matrix14 cited