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Thinking with costume and material: a critical approach to (new) costume ecologies
13 references·3 citing·31 second hop
Thinking with costume and material: a critical approach to (new) costume ecologies (2021)Thinking with costume and material: a cri…Historical materiality of performance: On the costumes of The Rite of Spring (1913) (2020)Historical materiality of per…Costume and ethics: Reflections on past, present and future entanglements (2020)Costume and ethics: Reflectio…The scenographic, costumed chorus, agency and the performance of matter: A new materialist approach to costume (2019)The scenographic, costumed ch…Sustainable Fashion In A Circular Economy (2018)Sustainable Fashion In A Circ…The Incorporeal (2017)The IncorporealCostume in Performance (2017)Costume in PerformanceMaking (2013)MakingNew Materialism: Interviews & Cartographies (2012)New Materialism: Interviews &…Vibrant Matter (2010)Vibrant MatterThe Actor in Costume (2010)The Actor in CostumeMeeting the Universe Halfway (2007)Meeting the Universe HalfwayPosthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Posthumanist Performativity: …Immanence (1997)ImmanenceThe phenomenon of creative images of Dimash Qudaibergen in the context of sustainable development of the cultural values of Kazakhstan (2025)The phenomenon of creative im…The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019) (2025)The active white coats: a cos…The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art (2023)The Lioness of African Music:…The Order of Things: An Archaeology of the Human Sciences. (1971)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Gender Trouble: Feminism and the Subversion of Identity (1991)Materialist returns: practising cultural geography in and for a more-than-human world (2006)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)The sociomateriality of organisational life: considering technology in management research (2009)CARTESIAN MEDITATIONS: AN INTRODUCTION TO PHENOMENOLOGY (1961)Make Room for TV (1992)BANALITY FOR CULTURAL STUDIES (2000)Governing Terror: The State of Emergency of Biopolitical Emergence (2007)Object-Interviews: Folding, Unfolding, and Refolding Perceptions of Objects (2013)Lean Startup and the business model: Experimenting for novelty and impact (2019)Toward a circular economy: Understanding consumers' moral stance on corporations' and individuals' responsibilities in creating a circular fashion economy (2020)Investigating the challenges of applying the principles of the circular economy in the fashion industry: A systematic review (2022)Toward an Ecology of Materials (2010)Wet Ontologies, Fluid Spaces: Giving Depth to Volume through Oceanic Thinking (2015)A Theoretical Framework for the Critical Posthumanities (2018)Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity (2017)Archiving Mexican folklórico costumes: applying a participatory approach and a post-custodial strategy (2022)‘Nothing Comes Without Its World’: Thinking with Care (2012)171 Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin (2015)Ethico-onto-epistemology (2019)Loving and knowing: reflections for an engaged epistemology (2019)Making Sense (2020)Data flows and water woes: The Utah Data Center (2015)Place in research. Theory, methodology, and methods (2016)That’s enough about ethnography! (2014)Archaeologies of Ontology (2016)Models of learning space: integrating research on space, place and learning in higher education (2016)Performativity and the historical body: Detecting performance through the archived costume (2013)A Theoretical Framework for the Creative Process of Theatrical Costume Design for Historically Set Productions (2018)
this work references cited by second hop

References

  • 2007Meeting the Universe Halfway10,469 cited
  • 2010Vibrant Matter7,118 cited
  • 2003Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter7,050 cited
  • 2013Making2,078 cited
  • 2012New Materialism: Interviews & Cartographies1,105 cited
  • 2017The Incorporeal407 cited
  • 1997Immanence169 cited
  • 2018Sustainable Fashion In A Circular Economy93 cited
  • 2010The Actor in Costume93 cited
  • 2017Costume in Performance60 cited
  • 2020Historical materiality of performance: On the costumes of The Rite of Spring (1913)20 cited
  • 2019The scenographic, costumed chorus, agency and the performance of matter: A new materialist approach to costume13 cited
  • 2020Costume and ethics: Reflections on past, present and future entanglements10 cited

Cited by

  • 2023The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art2 cited
  • 2025The phenomenon of creative images of Dimash Qudaibergen in the context of sustainable development of the cultural values of Kazakhstan1 cited
  • 2025

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The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019)
1 cited