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Cited by

• 2010Business is Show Business: Management Presentations as Performance71 cited
• 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
• 2010Hero takes a fall: A lesson from theatre for leadership55 cited
• 2016Introduction: performance and ecology – what can theatre do?51 cited
• 2009When We Talk of Horses: Or, what do we see when we see a play?48 cited
• 2014‘I Write Like a Painter’: Feminine Creation with Arts‐Based Methods in Organizational Research46 cited
• 2012Using artistic form for aesthetic organizational inquiry: Rimini Protokoll constructs Daimler's Annual General Meeting as a theatre play36 cited
• 2011The Performance of Violence and the Ethics of Spectatorship33 cited
• 2009Authorizing the Audience: The conceptual drama of Tim Crouch26 cited
• 2015Aesthetics and Atmosphere in Museums: A Critical Marketing Perspective26 cited
• 2013The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde24 cited
• 2014From Cradle to Stage: How Early Years Performing Arts Experiences Are Tailored to the Developmental Capabilities of Babies and Toddlers21 cited
• 2015Postdramatic Methods of Adaptation in the Age of Digital Collaborative Writing21 cited
• 2018