SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Farocki/Godard : Film as Theory (Edition 1)
16 references·0 citing·30 second hop
Farocki/Godard : Film as Theory (Edition 1) (2019)Farocki/Godard : Film as Theory (Edition …The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (2008)The Work of Art in the Age of…The dialectic of enlightenment (2004)The dialectic of enlightenmentCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Towards a philosophy of photography (2000)Towards a philosophy of photo…Literary Theory: A Very Short Introduction (1999)Literary Theory: A Very Short…Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Downcast eyes: the denigratio…The Geopolitical Aesthetic: Cinema and Space in the World System (1993)The Geopolitical Aesthetic: C…Given Time: I. Counterfeit Money (1992)Given Time: I. Counterfeit Mo…War and Cinema: The Logistics of Perception (1991)War and Cinema: The Logistics…The Burden of Representation (1988)The Burden of RepresentationThe Anxiety of Influence: A Theory of Poetry (1974)The Anxiety of Influence: A T…The World Viewed. Reflections on the Ontology of Film. (1972)The World Viewed. Reflections…The Order of Things: An Archaeology of the Human Sciences. (1971)The Order of Things: An Archa…THEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Understanding Media: The Extensions of Man (1964)Understanding Media: The Exte…The Ontology of the Photographic Image (1960)The Ontology of the Photograp…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)Club cultures: music, media and subcultural capital (1996)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Social Implications of the Internet (2001)Plagiarisms, Authorships, and the Academic Death Penalty (1995)Methodology of the Oppressed (2010)Show sold separately: promos, spoilers, and other media paratexts (2010)Authenticity & aura (2011)Retail Luxury Strategy: Assembling Charisma through Art and Magic (2011)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)The territorial trap: The geographical assumptions of international relations theory (1994)Making War at Home in the United States: Militarization and the Current Crisis (2002)Secure the volume: Vertical geopolitics and the depth of power (2013)The Invention of the Passport (1999)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visibility (2007)Theory and Research in Mass Communication (2004)A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY (2007)The Intersecting Roles of Consumer and Producer: A Critical Perspective on Co‐production, Co‐creation and Prosumption (2008)Action and embodiment within situated human interaction (2000)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Visible Identities (2006)The Image of Objectivity (1992)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)
this work references cited by second hop

References

  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 1971The Order of Things: An Archaeology of the Human Sciences.8,100 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1974The Anxiety of Influence: A Theory of Poetry2,673 cited
  • 2004The dialectic of enlightenment1,730 cited
  • 1994Downcast eyes: the denigration of vision in twentieth-century French thought1,502 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1988The Burden of Representation1,232 cited
  • 1991War and Cinema: The Logistics of Perception1,153 cited
  • 2008The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media1,122 cited
  • 1992Given Time: I. Counterfeit Money995 cited
  • 1999Literary Theory: A Very Short Introduction909 cited
  • 1960The Ontology of the Photographic Image748 cited
  • 2000Towards a philosophy of photography713 cited
  • 1993The Geopolitical Aesthetic: Cinema and Space in the World System504 cited
  • 1972The World Viewed. Reflections on the Ontology of Film.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

437 cited

Cited by

No citing works inside the corpus for this window.