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Clara Wieck's A minor Piano Concerto: Formal Innovation and the Problem of Parametric Disconnect in Early Romantic Music
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Clara Wieck's A minor Piano Concerto: Formal Innovation and the Problem of Parametric Disconnect in Early Romantic Music (2021)Clara Wieck's A minor Piano Concerto: For…Criteria for a Theory of Nineteenth-Century Sonata Form (2017)Criteria for a Theory of Nine…Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann (2016)Bass-Line Melodies and Form i…Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet (2014)Formal Functions and Retrospe…In Search of Romantic Form (2013)In Search of Romantic FormJohn Field and the Alternative History of Concerto First-Movement Form (2011)John Field and the Alternativ…Beyond the Sonata Principle (2002)Beyond the Sonata PrincipleLiquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)Liquidation, Augmentation, an…Classical Form (1998)The Classical Cadence: Conceptions and Misconceptions (2004)Elements of Sonata Theory (2006)Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Fundamentals of Musical Composition (1968)Style and Idea: Selected Writings of Arnold Schoenberg (1975)A Generative Theory of Tonal Music (1984)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)Nepomuceno e Max Bruch: análise de uma (recém-descoberta) conexão (2011)Rethinking Mendelssohn (2020)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Music in the Galant Style (2007)Toward a Predictive Theory of Theme Types (2020)Introduction to Schenkerian Analysis (1983)Clara Schumann: The Artist and the Woman (1985)“You too may change” (2021)Plagal Cadences in Fanny Hensel’s Songs (2021)Songs of Travel (2021)Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Beyond the Classical Cadence: Thematic Closure in Early Romantic Music (2018)Brahms's ‘Musical Prose’ Reconsidered (2022)Back and Forth from Egmont : Beethoven, Mozart, and the Nonresolving Recapitulation (2001)Form, Program, and Metaphor in the Music of Berlioz (2009)Extraordinary Measures (2011)Prolongational Closure in the Lieder of Fanny Hensel (2020)Cadence (2024)
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References

  • 2002Beyond the Sonata Principle135 cited
  • 2017Criteria for a Theory of Nineteenth-Century Sonata Form74 cited
  • 2014Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet67 cited
  • 1994Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps67 cited
  • 2011John Field and the Alternative History of Concerto First-Movement Form57 cited
  • 2013In Search of Romantic Form51 cited
  • 2016Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann19 cited

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