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John Cage and Peter Yates
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John Cage and Peter Yates (2019)John Cage and Peter YatesExperimentalism Otherwise (2019)Experimentalism OtherwiseLife Against Death: The Psychoanalytical Meaning of History (2012)Life Against Death: The Psych…Silence : lectures and writings (2011)Silence : lectures and writin…No Such Thing as Silence: John Cage’s 4′33″ (2010)No Such Thing as Silence: Joh…Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (2010)Fooled by Randomness: The Hid…Experimental music: Cage and beyond (2002)Experimental music: Cage and …Stravinsky's Late Music (2001)Stravinsky's Late MusicNegotiating Cultural Allies: American Music in Darmstadt, 1946-1956 (2000)Negotiating Cultural Allies: …John Cage: Silence and Silencing (1997)John Cage: Silence and Silenc…The Music of Conlon Nancarrow (1995)The Music of Conlon NancarrowPrinciples of Philosophy (1988)Principles of PhilosophyThe Triumph of American Painting: A History of Abstract Expressionism (1978)The Triumph of American Paint…War and Peace in the Global Village (1968)War and Peace in the Global V…Philosophical Investigations. (1967)Philosophical Investigations.Against Interpretation (1966)Against InterpretationAn Interview with John Cage (1965)An Interview with John CageBeing and Nothingness: An Essay on Phenomenological Ontology. (1958)I am not an animal: Mortality salience, disgust, and the denial of human creatureliness. (2001)The Great Transformation (2002)The Urge to Splurge: A Terror Management Account of Materialism and Consumer Behavior (2004)The Psychoanalytic Theory Of Neurosis (2006)A Terror Management Analysis of the Psychological Functions of Religion (2009)Resistance of personal risk perceptions to debiasing interventions. (1995)Mental Contamination and the Debiasing Problem (2002)Sympathetic Magical Thinking: The Contagion and Similarity “Heuristics” (2002)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)What's the Point of an Index? or, Faking Photographs (2008)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Generative Art Theory (2016)Forecasting and uncertainty in the economic and business world (2009)On serendipity and organizing (2010)Rationalities of ignorance: on financial crisis and the ambivalence of neo-liberal epistemology (2012)The Careers of Modern Artists (2000)A Portrait of the Visual Arts: Meeting the Challenges of a New Era (2005)Reflections on the global art market: implications for the Sociology of Culture (2009)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)Continuous Transformations (2004)The Mythology About Globalization (1992)Globalization Theory: A Post Mortem (2005)Key themes in media theory (2007)The firm as a distributed knowledge system: A constructionist approach (1996)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Discursive Institutionalism: The Explanatory Power of Ideas and Discourse (2008)Producing Artistic Value: The Case of Rock Music (1994)Surface Reading: An Introduction (2009)Hermeneutics and the Human Sciences (2019)
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References

  • 1967Philosophical Investigations.4,048 cited
  • 2011Silence : lectures and writings864 cited
  • 1968War and Peace in the Global Village522 cited
  • 1966Against Interpretation484 cited
  • 2012Life Against Death: The Psychoanalytical Meaning of History439 cited
  • 2002Experimental music: Cage and beyond292 cited
  • 1988Principles of Philosophy134 cited
  • 2010Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets127 cited
  • 1995The Music of Conlon Nancarrow106 cited
  • 1978The Triumph of American Painting: A History of Abstract Expressionism95 cited
  • 2001Stravinsky's Late Music91 cited
  • 1997John Cage: Silence and Silencing82 cited
  • 2019Experimentalism Otherwise75 cited
  • 2010No Such Thing as Silence: John Cage’s 4′33″74 cited
  • 1965An Interview with John Cage73 cited
  • 2000Negotiating Cultural Allies: American Music in Darmstadt, 1946-195672 cited

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