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Absorption and Theatricality
16 references·0 citing·26 second hop
Absorption and Theatricality (2022)Absorption and TheatricalityBeckett's Intermedial Ecosystems (2021)Beckett's Intermedial Ecosyst…Postcognitivist Beckett (2020)Postcognitivist BeckettExperimental Beckett (2020)Experimental BeckettBeckett and Sade (2020)Beckett and SadeWhy photography matters as art as never before (2009)Why photography matters as ar…Samuel Beckett’s Plays on Film and Television (2007)Samuel Beckett’s Plays on Fil…The edge of surrealism: a Roger Caillois reader (2004)The edge of surrealism: a Rog…Manet's Modernism, or, the Face of Painting in the 1860s (1998)Manet's Modernism, or, the Fa…Art and Objecthood: Essays and Reviews (1998)Art and Objecthood: Essays an…Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1989)Absorption and Theatricality:…The Complete Dramatic Works (1986)The Complete Dramatic WorksDisjecta: Miscellaneous Writings and a Dramatic Fragment (1984)Disjecta: Miscellaneous Writi…The Claim of Reason. Wittgenstein, Scepticism, Morality and Tragedy. (1981)The Claim of Reason. Wittgens…Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett (1981)Frescoes of the Skull: The La…The Beckett trilogy : Molloy, Malone dies, The unnamable (1979)The Beckett trilogy : Molloy,…The World Viewed. Reflections on the Ontology of Film. (1972)The World Viewed. Reflections…Samuel Beckett and the Philosophical Image (2006)The Cambridge Introduction to Scenography (2009)The Cambridge Introduction to Literature and Psychoanalysis (2014)The Cambridge Introduction to Samuel Beckett (2007)Molloy, Malone Dies,The Unnamable (2015)The New Cambridge Companion to Samuel Beckett (2015)The Difficulty of Reality and the Difficulty of Philosophy (2003)A Philosophy of Political Myth (2007)Learning identity: the joint emergence of social identification and academic learning (2007)Beckett, Modernism and the Material Imagination (2014)The Cambridge History of Literary Criticism (1997)An Ethnography of Iconoclash (2008)Historical Research on the Self and Emotions (2009)The Potentiality of Ethnography and the Limits of Affect Theory (2013)The rules of a middle-brow art: Digital production and cultural consecration in the global field of professional photojournalism (2016)The Ascetic Ideal (2021)Digital Material : Tracing New Media in Everyday Life and Technology (2009)Exhibiting Cinema in Contemporary Art (2013)The Cambridge History of Modernism (2017)Mapping Intermediality in Performance (2011)The Work of Art in the Age of Deindustrialization (2017)Pathos and Pathology: The Cinema of Todd Haynes (2004)The Element of Play in Innovation Work: The Case of New Drug Development (2008)Mask, Mimicry, Metamorphosis: Roger Caillois, Walter Benjamin and Surrealism in the 1930s (2009)Difference in Marx: the lumpenproletariat and the proletarian unnamable (2002)‘A Stirring Beyond Coming and Going’: Beckett and Tourette's (2008)
this work references cited by second hop

References

  • 1981The Claim of Reason. Wittgenstein, Scepticism, Morality and Tragedy.702 cited
  • 1986The Complete Dramatic Works573 cited
  • 1972The World Viewed. Reflections on the Ontology of Film.437 cited
  • 1984Disjecta: Miscellaneous Writings and a Dramatic Fragment346 cited
  • 1989Absorption and Theatricality: Painting and Beholder in the Age of Diderot203 cited
  • 1998Art and Objecthood: Essays and Reviews176 cited
  • 2009Why photography matters as art as never before171 cited
  • 1981Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett154 cited
  • 2004The edge of surrealism: a Roger Caillois reader92 cited
  • 1979The Beckett trilogy : Molloy, Malone dies, The unnamable50 cited
  • 1998Manet's Modernism, or, the Face of Painting in the 1860s48 cited
  • 2007Samuel Beckett’s Plays on Film and Television36 cited
  • 2021Beckett's Intermedial Ecosystems27 cited
  • 2020Beckett and Sade20 cited
  • 2020Postcognitivist Beckett19 cited
  • 2020Experimental Beckett19 cited

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