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The Transformation of the Avant-Garde: The New York Art World, 1940-1985.
0 references·16 citing·55 second hopsampled
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  • 2011Category Reinterpretation and Defection: Modernism and Tradition in Italian Winemaking195 cited
  • 2007How Art and Culture Happen in New York140 cited
  • 2007Thinking with art: from situated knowledge to experiential knowing80 cited
  • 2013The Artification of Tattoo: Transformations within a Cultural Field64 cited
  • 2007The economics of a good party: Social mechanics and the legitimization of art/culture58 cited
  • 2003Locating art worlds: London and the making of Young British art58 cited
  • 2009Reflections on the global art market: implications for the Sociology of Culture49 cited
  • 2012The Material Production of the Spiral Jetty: A Study of Culture in the Making40 cited
  • 2014The success of art galleries: a dynamic model with competition and information effects37 cited
  • 2008Die Fabrikation globaler Vielfalt24 cited
  • 2009Verordnete Entgrenzung21 cited
  • 2024Creativity and Style in GAN and AI Art: Some Art-historical Reflections19 cited
  • 2019Fashion and Artification in the French Luxury Fashion Industry18 cited
  • 1997Galerien als Gatekeeper des Kunstmarkts. Institutionelle Aspekte der Kunstvermittlung16 cited

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  • 2020The Archive as a Social World15 cited
  • 2003Art in Progress : A Philosophical Response to the End of the Avant-Garde13 cited