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Medieval canonics
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Medieval canonics (2002)Medieval canonicsMusica Recta and Musica Ficta (2013)Musica Recta and Musica FictaAncient music adapted to modern practice (1997)Ancient music adapted to mode…A Correspondence of Renaissance Musicians (1993)A Correspondence of Renaissan…Performance practice : music before 1600 (1989)Performance practice : music …Humanism in Italian Renaissance Musical Thought (1986)Humanism in Italian Renaissan…Pythagorean Intonation and the Rise of the Triad (1980)Pythagorean Intonation and th…Hucbald, Guido, and John on Music: Three Medieval Treatises (1979)Hucbald, Guido, and John on M…Touches of Sweet Harmony: Pythagorean Cosmology and Renaissance Poetics (1975)Touches of Sweet Harmony: Pyt…Fifteenth-Century Evidence for Meantone Temperament (1975)Fifteenth-Century Evidence fo…Mensura fistularum. Die Mensurierung der Orgelpfeifen im Mittelalter (1971)Mensura fistularum. Die Mensu…The Practica Musicae of Franchinus Gafurius (1969)The Practica Musicae of Franc…L'auteur du "Dialogue sur la Musique" attribue a Odon (1969)L'auteur du "Dialogue sur la …A Preface to Chaucer: Studies in Medieval Perspectives (1964)A Preface to Chaucer: Studies…Remigii Autissiodorensis Commentum in Martianum Capellam (1962)Remigii Autissiodorensis Comm…De Musico-Paedagogico et Theoretico Guidone Aretino, eiusque vita et moribus (1954)De Musico-Paedagogico et Theo…Tuning and Temperament; A Historical Survey (1952)Tuning and Temperament; A His…Energetics (2002)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)Latin commentary tradition and vernacular literature (2005)Medieval imagination and memory (2005)The arts of letter-writing (2005)Music theory and mathematics (2002)The Cambridge History of Sixteenth-Century Music (2019)Women and Music in Sixteenth-Century Ferrara (2018)Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities (2021)On Compositional Process in the Fifteenth Century (1987)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-1475 (1991)Jokes of Nature and Jokes of Knowledge: The Playfulness of Scientific Discourse in Early Modern Europe (1990)ORTHOGRAPHY AND PUNCTUATION (2000)The Cambridge History of the English Language (2000)Signature-systems and tonal types in the fourteenth-century French chanson (1995)Joining the historical performance debate (2002)Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020)Marchetto's Division of the Whole Tone (1981)Tempo relationships between duple and triple time in the sixteenth century (1995)The Cambridge History of Musical Performance (2012)
this work references cited by second hop

References

  • 1986Humanism in Italian Renaissance Musical Thought320 cited
  • 1952Tuning and Temperament; A Historical Survey154 cited
  • 1975Touches of Sweet Harmony: Pythagorean Cosmology and Renaissance Poetics151 cited
  • 1979Hucbald, Guido, and John on Music: Three Medieval Treatises110 cited
  • 1993A Correspondence of Renaissance Musicians98 cited
  • 1989Performance practice : music before 160074 cited
  • 1997Ancient music adapted to modern practice63 cited
  • 1964A Preface to Chaucer: Studies in Medieval Perspectives22 cited
  • 2013Musica Recta and Musica Ficta20 cited
  • 1962Remigii Autissiodorensis Commentum in Martianum Capellam15 cited
  • 1969L'auteur du "Dialogue sur la Musique" attribue a Odon12 cited
  • 1980Pythagorean Intonation and the Rise of the Triad7 cited
  • 1971Mensura fistularum. Die Mensurierung der Orgelpfeifen im Mittelalter6 cited
  • 1975Fifteenth-Century Evidence for Meantone Temperament6 cited
  • 1954De Musico-Paedagogico et Theoretico Guidone Aretino, eiusque vita et moribus6 cited
  • 1969The Practica Musicae of Franchinus Gafurius

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