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Cited by

• 2015Research and practice in Voice Studies: searching for a methodology19 cited
• 2014Introduction: Theatre and Spectrality9 cited
• 2019Becoming small: Concepts and methods of interdisciplinary practice in theatre for early years8 cited
• 2020Mixing realities: reflections on presence and embodiment in intermedial performance design ofBlue Hour VR7 cited
• 2011Real people as actors—Actors as real people7 cited
• 2016On the Dialectics of Charisma in Marina Abramović’sThe Artist is Present7 cited
• 2016The role of ‘presence’ in training actors’ voices17 cited
• 2016Introduction: The Japanese Robot and Performance6 cited
• 2013‘Rehearsing the Unrehearsed’: Reflections on the Concept of Presence in Dramatherapy and Performance Training5 cited
• 2010When Storytelling Reframes Adultery: The Dramatics of Pirandello’s ‘La paura’0 cited