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The Monteverdi Vespers of 1610: music, context, performance
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2007The naturalization of Andean Christianities56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2007Tridentine worship and the cult of saints44 cited
  • 2005The Church Triumphant: music in the liturgy43 cited
  • 2007The Cambridge History of Christianity30 cited
  • 2020Renaissance Polyphony23 cited
  • 2012The performer and the composer10 cited
  • 2007Female sanctity, 1500–16608 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2024Monteverdi's Voices3 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited

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