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The Vogue of the Instrumental Rondo in the Late Eighteenth Century
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The Vogue of the Instrumental Rondo in the Late Eighteenth Century (1969)The Vogue of the Instrumental Rondo in th…Humor e agudeza nos Quartetos de Cordas op. 33 de Joseph Haydn (2005)Humor e agudeza nos Quartetos…The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto (2000)The Large-Scale Formal Role o…Form, Genre, and Style in the Eighteenth-Century Rondo (1995)Form, Genre, and Style in the…The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice (1985)The New Modulation of the 177…The Concerto at Mannheim c. 1740–1780 (1969)The Concerto at Mannheim c. 1…An essay concerning human understanding, 1690. (1948)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1956)An Inquiry Into the Original of Our Ideas of Beauty and Virtue (2018)Musical Form and Musical Performance (1969)Phrase Rhythm in Tonal Music (1991)Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Auxiliary Cadences and the Binary Rondo (2013)Schumann's a-Minor Mood (2016)OUP accepted manuscript (2017)Essay on the True Art of Playing Keyboard Instruments (1949)Allgemeine Geschichte der Musik (1967)Studies in eighteenth-century music : a tribute to Karl Geiringer on his seventieth birthday (1970)Introduction (2002)T he P rocess of M odulation in M usical C ollage (2008)‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression (2012)Les Concerts en France sous l'Ancien Régime (1899)THE SYMPHONIE CONCERTANTE: AN INTERIM REPORT (1961)La symphonie francaise dans la seconde moitie du XVIIIe siecle (1963)The Letters of Mozart and His Family. (1966)Fundamentals of Musical Composition (1968)Versuch einer Anleitung zur Composition (1969)On Voice Exchanges (2009)Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata (2013)
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Cited by

  • 1995Form, Genre, and Style in the Eighteenth-Century Rondo29 cited
  • 1985The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice20 cited
  • 2000The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century Concerto16 cited
  • 2005Humor e agudeza nos Quartetos de Cordas op. 33 de Joseph Haydn6 cited
  • 1969The Concerto at Mannheim c. 1740–17803 cited

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