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Der Tonträger als Medium der Musik
16 references·0 citing·28 second hop
Der Tonträger als Medium der Musik (2018)Der Tonträger als Medium der MusikGenre in Popular Music (2007)Genre in Popular MusicSound Recording (2004)Sound RecordingThe Audible Past (2003)The Audible PastJukeboxes: an American social history (2002)Jukeboxes: an American social…Music genres and corporate cultures (2000)Music genres and corporate cu…The Recording Industry (1998)The Recording IndustrySince Records Began: EMI, the First 100 Years (1998)Since Records Began: EMI, the…Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925 (1995)Machines, Music, and the Ques…From tinfoil to stereo: the acoustic years of the recording industry, 1877-1929 (1995)From tinfoil to stereo: the a…Cassette culture: popular music and technology in north India (1993)Cassette culture: popular mus…The Recording Angel: Music, Records and Culture from Aristotle to Zappa (1988)The Recording Angel: Music, R…Big Sounds from Small People: The Music Industry in Small Countries (1984)Big Sounds from Small People:…John Philip Sousa: American Phenomenon (1974)John Philip Sousa: American P…65 JAHRE DEUTSCHE GRAMMOPHON GESELLSCHAFT (1964)65 JAHRE DEUTSCHE GRAMMOPHON …The music goes round (1942)The music goes roundDie Schallplatte auf dem Weltmarkt (1940)Die Schallplatte auf dem Welt…Club cultures: music, media and subcultural capital (1996)Deadness: Technologies of the Intermundane (2010)The Oxford Handbook of The American Musical (2011)Always already new: media, history, and the data of culture (2007)The Relevance of Algorithms (2014)Digitalization (2016)"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction (2013)Classification in Art (1987)Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning (1990)From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation (2006)Aesthetic Technologies of Modernity, Subjectivity, and Nature (2015)Entertainment Industry Economics (2020)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Playing to the Crowd (2019)Between Commerciality and Authenticity: The Imaginary of Social Media Influencers in the Platform Economy (2021)The Production of Culture Perspective (2004)World music: deterritorializing place and identity (2004)Decomposed: a political ecology of music (2015)Communications Technology (2014)‘Home taping is killing music’: the recording industries' 1980s anti-home taping campaigns and struggles over production, labor and creativity (2015)The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece (2016)Unique Characteristics and Business Dynamics of Media Products (2005)Creativity and Innovation in the Music Industry (2006)The Making of a Music Multinational: PolyGram's International Businesses, 1945–1998 (2006)The economy of live music in the digital age (2010)Control, curation and musical experience in streaming music services (2015)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)
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References

  • 2003The Audible Past2,011 cited
  • 1993Cassette culture: popular music and technology in north India640 cited
  • 2000Music genres and corporate cultures381 cited
  • 1988The Recording Angel: Music, Records and Culture from Aristotle to Zappa287 cited
  • 2007Genre in Popular Music262 cited
  • 1984Big Sounds from Small People: The Music Industry in Small Countries177 cited
  • 1995Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925133 cited
  • 1998The Recording Industry76 cited
  • 1995From tinfoil to stereo: the acoustic years of the recording industry, 1877-192968 cited
  • 2004Sound Recording66 cited
  • 2002Jukeboxes: an American social history30 cited
  • 1998Since Records Began: EMI, the First 100 Years20 cited
  • 1942The music goes round19 cited
  • 1940Die Schallplatte auf dem Weltmarkt8 cited
  • 1974John Philip Sousa: American Phenomenon5 cited
  • 196465 JAHRE DEUTSCHE GRAMMOPHON GESELLSCHAFT3 cited

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