SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Not My Lifeblood
16 references·0 citing·34 second hop
Not My Lifeblood (2018)Not My LifebloodRedefining Mainstream Popular Music (2013)Redefining Mainstream Popular…Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (2010)Specters of Marx: The State o…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Fandom: Identities and Communities in a Mediated World (2008)Fandom: Identities and Commun…Doing Ethnography (2008)Doing EthnographyPunk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…Fans: The Mirror of Consumption (2005)Fans: The Mirror of Consumpti…New Audiences, New Textualities (2003)New Audiences, New Textualiti…Fan Cultures (2003)Fan CulturesAuthenticity as authentication (2002)Authenticity as authenticationThe Ethnographic Self: Fieldwork and the Representation of Identity (2001)The Ethnographic Self: Fieldw…Tramps Like Us (1998)Tramps Like UsSexing the Groove: Popular Music and Gender (1998)Sexing the Groove: Popular Mu…Audiences: A Sociological Theory of Performance and Imagination (1998)Audiences: A Sociological The…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)When the Game Is Not Enough: Motivations and Practices Among Computer Game Modding Culture (2010)Things Fall Apart: The Dynamics of Brand Audience Dissipation (2014)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Qualitative marketing research: a cultural approach (2006)Researching sensitive topics: qualitative research as emotion work (2009)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)Millennial Capitalism and the Culture of Neoliberalism (2001)Law and disorder in the postcolony* (2007)The Decolonial Option in English Teaching: Can the Subaltern Act? (2014)Intergenerational Geographies: Age Relations, Segregation and Re‐engagements (2007)Sluts and Riot Grrrls: Female Identity and Sexual Agency (2007)Towards a critical understanding of music, emotion and self‐identity (2008)Pride in contemporary sport consumption: a marketing perspective (2009)Crowdsourcing and online collaborative translations (2017)Celebrity fan involvement and destination perceptions (2008)Social media and sports: driving fan engagement with football clubs on Facebook (2017)
this work references cited by second hop

References

  • 2010Specters of Marx: The State of the Debt, the Work of Mourning, and the New International3,656 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2003Fan Cultures869 cited
  • 1998Audiences: A Sociological Theory of Performance and Imagination843 cited
  • 2001The Ethnographic Self: Fieldwork and the Representation of Identity829 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 2005Fans: The Mirror of Consumption592 cited
  • 2002Authenticity as authentication485 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 2008Doing Ethnography409 cited
  • 2003New Audiences, New Textualities349 cited
  • 2008Fandom: Identities and Communities in a Mediated World211 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 1998Tramps Like Us179 cited
  • 2013Redefining Mainstream Popular Music176 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.