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The oral and the literate in music
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The oral and the literate in music (1986)The oral and the literate in musicIntroduction (2022)IntroductionIs Music an Adaptation or a Technology? Ethnomusicological Perspectives from the Analysis of ChineseShuochang (2014)Is Music an Adaptation or a T…Consilience Revisited: Musical and Scientific Approaches to Chinese Performance (2012)Consilience Revisited: Musica…Orality and Literacy in the Transmission of JapaneseTōgaku: Its Past and Present (2011)Orality and Literacy in the T…“You’ll Break Your Heart Trying to Play It Like You Sing It”: Intermodal Imagery and the Transmission of Scottish Classical Bagpiping (2010)“You’ll Break Your Heart Tryi…Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation (2006)Orality, Literacy, and Mediat…No nonsense: The logic and power of acoustic‐iconic mnemonic systems (2000)No nonsense: The logic and po…Listening patterns and identity of the Korean diaspora in the former USSR’1 (2000)Listening patterns and identi…The sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics (1999)The sounds ofMyūjikku.An expl…Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory (1999)Music for dreaming: Aborigina…Foundations for an anthropology of the senses (1997)Foundations for an anthropolo…On playing by ear (1996)On playing by earOral and written transmission in Ethiopian Christian chant (1993)Oral and written transmission…Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal (1990)Musical Gesture and Extra-Mus…Felling a Song with a New Ax: Writing and the Reshaping of Ritual Song Performance in Upland Sulawesi (1990)Felling a Song with a New Ax:…Exploring talk and interaction∗ (1990)Exploring talk and interactio…The New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)The New Grove dictionary of music and musicians (2001)Acoustic and Perceptual Comparison of Speech and Drum Sounds in the North Indian Tabla Tradition: An Empirical Study of Sound Symbolism (2003)The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia (2014)Seeing the invisible: Theorising connections between informal and formal musical knowledge (2019)Understanding Media: The Extensions of Man (1964)Orality and Literacy (1982)Thinking in Jazz (1994)The Relevance of Husserl's Theory to Language Socialization (2009)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Mapping visions of improvisation pedagogy in music education research (2019)Research in African Literatures (2014)Rapikwenty: ‘A loner in the ashes’ and other songs for sleeping (2018)Phonotactics (2023)The Oxford Guide to Australian Languages (2023)Sound and Sentiment, Birds, Weeping, Poetics and Song in Kaluli Expression (1983)The Tuning of the World (1983)Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Mimesis stories: composing new nature music for theshakuhachi (2017)Die Musik in Geschichte und Gegenwart (1989)Between History and Historiography: The Origins of Classical Kuchipudi Dance (2013)12. Texts and Tellings: Kathas in the Fifteenth and Sixteenth Centuries (2015)9. Listening for the Context: Tuning in to the Reception of Riti Poetry1 (2015)A simplest systematics for the organization of turn-taking for conversation (1974)The Preference for Self-Correction in the Organization of Repair in Conversation (1977)Pragmatics (1983)“You Think It Was aFight?”: Co-Constructing (the Struggle for) Meaning, Face, and Family in Everyday Narrative Activity (1995)The Interpretation of Cultures (1974)Time and the Other: How Anthropology Makes Its Object (1983)Mimesis and alterity: a particular history of the senses (1993)Visibility (2007)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)Exploring the conceptualization of the sensory dimension of tourist experiences (2013)Popular Culture in Early Modern Europe (1979)Literacy in Theory and Practice (1987)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Non-music specialist trainee primary school teachers’ confidence in teaching music in the classroom (2008)Popular music in American teacher education: A glimpse into a secondary methods course (2011)Popular Culture in Early Modern Europe (2017)Marxism and Literature (1978)Local Knowledge: Further Essays In Interpretive Anthropology (1983)Perceptions of European Literacy in Early Contact Situations (1994)The White Edge of the Margin: Textuality and Authority in Biak, Irian Jaya, Indonesia (2000)Scripting Islamization: Arabic Texts in Early Modern Makassar (2001)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Art and Agency An Anthropological Theory (1998)Being alive essays on movement, knowledge and description (2011)
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  • 1997Foundations for an anthropology of the senses508 cited
  • 1999Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory98 cited
  • 1996On playing by ear92 cited
  • 2006Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation71 cited
  • 2000No nonsense: The logic and power of acoustic‐iconic mnemonic systems60 cited
  • 1990Exploring talk and interaction∗44 cited
  • 1990Felling a Song with a New Ax: Writing and the Reshaping of Ritual Song Performance in Upland Sulawesi29 cited
  • 1990Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal26 cited
  • 1999The sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics15 cited
  • 2022Introduction14 cited
  • 2000Listening patterns and identity of the Korean diaspora in the former USSR’111 cited
  • 1993Oral and written transmission in Ethiopian Christian chant11 cited
  • 2012Consilience Revisited: Musical and Scientific Approaches to Chinese Performance10 cited
  • 2014Is Music an Adaptation or a Technology? Ethnomusicological Perspectives from the Analysis of ChineseShuochang

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7 cited
  • 2011Orality and Literacy in the Transmission of JapaneseTōgaku: Its Past and Present6 cited
  • 2010“You’ll Break Your Heart Trying to Play It Like You Sing It”: Intermodal Imagery and the Transmission of Scottish Classical Bagpiping6 cited