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Sound Design is the New Score
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Sound Design is the New Score (2019)Sound Design is the New Score11. The Fantastical Gap Between Diegetic And Nondiegetic (2019)11. The Fantastical Gap Betwe…Film Theory: An Introduction Through the Senses (2009)Film Theory: An Introduction …Touch: Sensuous Theory And Multisensory Media (2002)Touch: Sensuous Theory And Mu…In the blink of an eye : a perspective on film editing (2001)In the blink of an eye : a pe…The skin of the film: intercultural cinema, embodiment, and the senses (2000)The skin of the film: intercu…The sounds of commerce: marketing popular film music (1999)The sounds of commerce: marke…DAMNED TO FAME: The Life of Samuel Beckett (1997)DAMNED TO FAME: The Life of S…Black noise: rap music and black culture in contemporary America (1994)Black noise: rap music and bl…Audio-vision: sound on screen (1994)Audio-vision: sound on screenThe Address of the Eye: A Phenomenology of Film Experience (1993)The Address of the Eye: A Phe…Unheard melodies: narrative film music (1988)Unheard melodies: narrative f…Sculpting in Time: Reflections on the Cinema (1986)Sculpting in Time: Reflection…Narration in the Fiction Film (1986)Narration in the Fiction FilmSister Outsider: Essays and Speeches (1984)Sister Outsider: Essays and S…Moving Lips: Cinema as Ventriloquism (1980)Moving Lips: Cinema as Ventri…Transcendental Style in Film: Ozu, Bresson, Dreyer (1972)Transcendental Style in Film:…Phénoménologie de la perception (1976)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit (1994)Reigniting Japanese Tradition with Hana-Bi (2001)Engaging Characters (2022)Culture, Globalization, Mediation (2004)Body, Image and Affect in Consumer Culture (2010)On Touching—the Inhuman That Therefore I Am (2012)‘Nothing Comes Without Its World’: Thinking with Care (2012)Intersectionality (2013)Intersectionality's Definitional Dilemmas (2015)Visualizing Surfaces, Surfacing Vision: Introduction (2017)In support of a wide notion of media accessibility: Access to content and access to creation (2018)Comics and the Body: Drawing, Reading, and Vulnerability (2020)Narrative Complexity in Contemporary American Television (2006)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Routledge Handbook of Multimodal Analysis (2010)The Affective Turn (2008)FINGERYEYES: Impressions of Cup Corals (2010)Handbook of Phenomenological Aesthetics (2009)Jean Epstein : Critical Essays and New Translations (2012)The Empathic Screen (2019)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Means Never Having to Say You're Ethnic (2001)Global Englishes, Rip Slyme, and performativity (2003)Theorizing Musical Meaning (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)
this work references cited by second hop

References

  • 1984Sister Outsider: Essays and Speeches6,817 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 2000The skin of the film: intercultural cinema, embodiment, and the senses1,527 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2002Touch: Sensuous Theory And Multisensory Media1,076 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 1994Black noise: rap music and black culture in contemporary America889 cited
  • 1993The Address of the Eye: A Phenomenology of Film Experience352 cited
  • 2009Film Theory: An Introduction Through the Senses351 cited
  • 1972Transcendental Style in Film: Ozu, Bresson, Dreyer287 cited
  • 1999The sounds of commerce: marketing popular film music258 cited
  • 1986Sculpting in Time: Reflections on the Cinema247 cited
  • 1997DAMNED TO FAME: The Life of Samuel Beckett240 cited
  • 201911. The Fantastical Gap Between Diegetic And Nondiegetic224 cited
  • 2001In the blink of an eye : a perspective on film editing204 cited
  • 1980Moving Lips: Cinema as Ventriloquism193 cited

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