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Telecinematic Stylistics
7 references·4 citing·29 second hop
Telecinematic Stylistics (2020)Telecinematic StylisticsThe Language of Fictional Television: Drama and Identity (2010)The Language of Fictional Tel…Film adaptation and its discontents: from Gone with the wind to The passion of the Christ (2008)Film adaptation and its disco…"May contain graphic material": comic books, graphic novels, and film (2008)"May contain graphic material…Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Images (2007)Incompatible Visual Ontologie…Understanding Comics: The Invisible Art (1998)Understanding Comics: The Inv…Variation across Speech and Writing (1988)Variation across Speech and W…Course in General Linguistics (1960)Course in General LinguisticsLanguage and Characterisation in Television Series (2023)Language and Characterisation…Do worlds have (fourth) walls? A Text World Theory approach to direct address in Fleabag (2021)Do worlds have (fourth) walls…Corpus approaches to telecinematic language (2020)Corpus approaches to telecine…‘The truth is we’re watching each other’: Voiceover narration as ‘split self’ presentation in The Handmaid’s Tale TV series (2020)‘The truth is we’re watching …More than Cool Reason (1989)Reading images: the grammar of visual design (1996)Cognitive Grammar (2008)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The 385+ million word Corpus of Contemporary American English (1990–2008+) (2009)Complex TV: The Poetics of Contemporary Television Storytelling (2015)Text worlds : representing conceptual space in discourse (1999)Text World Theory An Introduction (2007)The Routledge Handbook of Stylistics (2014)Constructing ‘nerdiness’: Characterisation in The Big Bang Theory (2012)Humorous phenomena in dramatic discourse (2013)CLiC Dickens: novel uses of concordances for the integration of corpus stylistics and cognitive poetics (2016)Adaptation and Intertextuality, or, What Isn't an Adaptation, and What does it Matter? (2012)Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories (2012)Cormac McCarthy and Performance (2017)Machines and Mindlessness: Social Responses to Computers (2000)Event structure in perception and conception. (2001)Anthropomorphism and the social robot (2003)Psychological Aspects of Natural Language Use: Our Words, Our Selves (2002)A Method for Linguistic Metaphor Identification (2010)The Development and Psychometric Properties of LIWC2015 (2015)Comics worlds and the world of comics : towards scholarship on a global scale (2010)The Narratology of Comic Art (2017)Cognitive Disability Aesthetics (2018)The ontogenesis of speech acts (1975)Natural language and natural selection (1990)Discourse Analysis as Theory and Method (2002)From Comics to the Graphic Novel (2017)The Autobiographical and Biographical Graphic Novel (2017)
this work references cited by second hop

References

  • 1988Variation across Speech and Writing5,226 cited
  • 1998Understanding Comics: The Invisible Art3,139 cited
  • 1960Course in General Linguistics3,023 cited
  • 2008Film adaptation and its discontents: from Gone with the wind to The passion of the Christ255 cited
  • 2010The Language of Fictional Television: Drama and Identity233 cited
  • 2007Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Images32 cited
  • 2008"May contain graphic material": comic books, graphic novels, and film21 cited

Cited by

  • 2020‘The truth is we’re watching each other’: Voiceover narration as ‘split self’ presentation in The Handmaid’s Tale TV series33 cited
  • 2020Corpus approaches to telecinematic language25 cited
  • 2021Do worlds have (fourth) walls? A Text World Theory approach to direct address in Fleabag24 cited
  • 2023Language and Characterisation in Television Series20 cited

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