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Musicology and difference: gender and sexuality in music scholarship
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Cited by

  • 2020Carmen Abroad42 cited
  • 2020The Return of theHabanera:Carmen’sEarly Reception in Latin America30 cited
  • 2000An Analysis of Gender in a Spanish Music Textbook21 cited
  • 2017The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’19 cited
  • 2020Carmenin the Midi Amphitheatres: A ‘Tauro-Comique’ Spectacle17 cited
  • 2020Carmenat Home and Abroad17 cited
  • 2013Staging Authenticity16 cited
  • 2013Music and Sexuality10 cited
  • 2014Strange Voices: Subjectivity and Gender inForbidden Planet’s Soundscape of Tomorrow4 cited
  • 2005Power and display: music in court theatre4 cited
  • 2017“The Pulse Of Life Today”: borrowing in Johanna Beyer’s String Quartet No. 24 cited
  • 2020Carmen’s Second Chance: Revival in Vienna2 cited
  • 2016Suleika and Hatem revisited: uncovering the material advantages of identifying as a male composer2 cited

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