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14 A Dark Knight on Elm Street: Discursive Regimes of (Sub)Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema
14 references·0 citing·34 second hop
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References

  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2009Production Culture: Industrial Reflexivity and Critical Practice in Film and Television268 cited
  • 1992A cinema without walls: movies and culture after Vietnam267 cited
  • 2002CULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS183 cited
  • 2011Show Sold Separately: Promos, Spoilers and Other Media Paratexts158 cited
  • 2019Language, Counter-Memory, Practice120 cited
  • 2015Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds67 cited
  • 2012Hunting the Dark Knight: Twenty-First Century Batman54 cited
  • 2017“Bitches Ain’t Gonna Hunt No Ghosts”: Totemic Nostalgia, Toxic Fandom and the Ghostbusters Platonic47 cited
  • 2006Resurrecting and Updating the Teen Slasher: The Case of Scream28 cited
  • 2017New Millennial Remakes13 cited
  • 2014Risen from the Vaults: Recent Horror Film Remakes and the American Film Industry8 cited
  • 2017Reboots and Retroactive Continuity7 cited

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