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24. Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics
12 references·0 citing·39 second hop
24. Popular Music, Streaming, and Promotional Media: Enduring and Emerging Industrial Logics (2019)24. Popular Music, Streaming, and Promoti…Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy (2018)Rising tides? Data capture, p…Popular Music as Promotion: Music and Branding in the Digital Age (2018)Popular Music as Promotion: M…Understanding Celebrity (2014)Understanding CelebrityThe Sounds of Capitalism: advertising, music, and the conquest of culture (2013)The Sounds of Capitalism: adv…The 360 deal and the ‘new’ music industry (2013)The 360 deal and the ‘new’ mu…The Structural Functions of Stardom in the Recording Industry (2012)The Structural Functions of S…The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)The Firm Foundation of Organi…The Institutionalization of Cultural Commodification: Logics and Strategies (1997)The Institutionalization of C…Making Capital from Culture: The Corporate Form of Capitalist Cultural Production. (1993)Making Capital from Culture: …All you need to know about the music business (1991)All you need to know about th…Capitalism and communication : global culture and the economics of information (1990)Capitalism and communication …The Capitalization of Cultural Production (1989)The Capitalization of Cultura…The Sexual Contract (1988)The social structure of liquidity: Flexibility, markets, and states (1999)The music industry: music in the cloud (2013)Ethnomusicology and the Meeting of Knowledges in Music (2021)Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone (2021)Music for Global Human Development (2021)Studying Popular Music (1990)Studying Popular Music (1991)Music Genres and Corporate Cultures (2010)Art at the crossroads: The arts in society and the sociology of art (2014)Inside the whale (and how to get out of there): Moving on from two decades of creative industries research (2017)From creator to data: the post-record music industry and the digital conglomerates (2018)The condition of postmodernity: an enquiry into the origins of cultural change (1990)The politics of ‘platforms’ (2010)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music (2022)The platformed money ecosystem: Digital financial platforms, datafication, and reimagining financial well‐being (2022)Dialectic of enlightenment : philosophical fragments (2002)Digital Play (2003)A Brief History of Neoliberalism (2005)Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)Remix’s retreat? Content moderation, copyright law and mashup music (2021)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)The Diminishing Publicness of Public Service under the Current Mode of Governance (2001)A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY (2007)Branding a Cool Celebrity President: Popular Music, Political Advertising, and the 2012 Election (2015)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)The Geography of Crowdfunding (2011)Crowdfunding: Geography, Social Networks, and the Timing of Investment Decisions (2015)Autonomy Guaranteed? Cultural Work and the “Art–Commerce Relation” (2010)The Sound of Berlin: Subculture and the Global Music Industry (2010)From Pink Slips to Pink Slime: Transforming Media Labor in a Digital Age (2015)Persona as method: exploring celebrity and the public self through persona studies (2015)#familygoals: Family Influencers, Calibrated Amateurism, and Justifying Young Digital Labor (2017)Celebrity influences on consumer decision making: new insights and research directions (2019)Technologies of truth: cultural citizenship and the popular media (1998)In the Social Factory? (2008)Critical Media Industry Studies: A Research Approach (2009)
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References

  • 1990Capitalism and communication : global culture and the economics of information552 cited
  • 2014Understanding Celebrity299 cited
  • 1991All you need to know about the music business231 cited
  • 1989The Capitalization of Cultural Production219 cited
  • 1993Making Capital from Culture: The Corporate Form of Capitalist Cultural Production.116 cited
  • 2012The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry95 cited
  • 2018Popular Music as Promotion: Music and Branding in the Digital Age76 cited
  • 2013The 360 deal and the ‘new’ music industry75 cited
  • 2018Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy66 cited
  • 2013The Sounds of Capitalism: advertising, music, and the conquest of culture64 cited
  • 2012The Structural Functions of Stardom in the Recording Industry19 cited
  • 1997The Institutionalization of Cultural Commodification: Logics and Strategies6 cited

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