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Heinrich Schenker
16 references·2 citing·28 second hop
Heinrich Schenker (2002)Heinrich SchenkerAnalysis of Tonal Music: A Schenkerian Approach (2001)Analysis of Tonal Music: A Sc…The classical style: Haydn, Mozart, Beethoven (1997)The classical style: Haydn, M…Schenker's Interpretive Practice (1997)Schenker's Interpretive Pract…The American popular ballad of the Golden Era, 1924-1950 (1996)The American popular ballad o…Schenker's Argument and the Claims of Music Theory (1996)Schenker's Argument and the C…Rameau and Musical Thought in the Enlightenment (1994)Rameau and Musical Thought in…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicViennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (1989)Viennese Harmonic Theory from…Music Analysis in Theory and Practice (1988)Music Analysis in Theory and …A Guide to Musical Analysis (1988)A Guide to Musical AnalysisBrahms: Biographical, Documentary, and Analytical Studies (1984)Brahms: Biographical, Documen…Introduction to Schenkerian Analysis (1983)Introduction to Schenkerian A…Beyond Schenkerism: The Need for Alternatives in Music Analysis (1978)Beyond Schenkerism: The Need …The Stratification of Musical Rhythm (1976)The Stratification of Musical…An Introduction to Tonal Theory (1976)An Introduction to Tonal Theo…Explaining Music: Essays and Explorations (1975)Explaining Music: Essays and …Perception of the ternary arch-form in Western concert music: evidence from college music education (2020)Perception of the ternary arc…Schumann's a-Minor Mood (2016)Schumann's a-Minor MoodDefending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The orchestral revolution: Haydn and the technologies of timbre (2013)The so-called ‘flattened seventh’ in rock (1995)Epistemologies of music theory (2002)Form, Program, and Metaphor in the Music of Berlioz (2009)Cadential processes: The evaded cadence and the “one more time” technique (1992)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)Punctuation and Sense in Late-Eighteenth-Century Music (2010)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Switchings under uncertainty: The coming and becoming of meanings (2010)Brahms and Twentieth-Century Classical Music (1984)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)Atonal prolongational structure (1989)Hugo Riemann and the birth of modern musical thought (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Fantasy Pieces (1999)Formal Functions of Metric Dissonance in Rock Music (2014)The Cambridge History of American Music (1998)(Ac)cumulative Form in Pop-Rock Music (2004)The Oxford Handbook of The American Musical (2011)From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century (1996)Timing and Music (2002)Music as Discourse (2008)
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References

  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1997The classical style: Haydn, Mozart, Beethoven428 cited
  • 1988A Guide to Musical Analysis341 cited
  • 1976The Stratification of Musical Rhythm233 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1975Explaining Music: Essays and Explorations205 cited
  • 1996The American popular ballad of the Golden Era, 1924-1950194 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 1984Brahms: Biographical, Documentary, and Analytical Studies136 cited
  • 1983Introduction to Schenkerian Analysis129 cited
  • 1988Music Analysis in Theory and Practice109 cited
  • 1997Schenker's Interpretive Practice89 cited
  • 2001Analysis of Tonal Music: A Schenkerian Approach89 cited
  • 1996Schenker's Argument and the Claims of Music Theory83 cited
  • 1976An Introduction to Tonal Theory78 cited
  • 1978Beyond Schenkerism: The Need for Alternatives in Music Analysis76 cited

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  • 2016Schumann's a-Minor Mood8 cited
  • 2020Perception of the ternary arch-form in Western concert music: evidence from college music education6 cited