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Circular Form in the "Tristan" Prelude
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Circular Form in the "Tristan" Prelude (2000)Circular Form in the "Tristan" PreludeCadence (2024)CadencePräexistente Musik im Film (2022)Präexistente Musik im FilmThe Type 2 Sonata in the Nineteenth Century (2019)The Type 2 Sonata in the Nine…Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude (2018)Visual figures of musical for…Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work (2007)Analysis, Performance, and Im…‘T he H eaviest W eight ’: C ircularity and R epetition in a S ong by H ugo W olf (2006)‘T he H eaviest W eight ’: C …Musical Form and Musical Performance (1971)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Timbre of Thai Classical Singing (2012)Postmodern Music/Postmodern Thought (2013):Time-Fetishes: The Secret History of Eternal Recurrence (1999)German Lieder in the Nineteenth Century (2009)The Body in the Mind (1987)The contemporary theory of metaphor (1993)Difference and repetition (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine (2020)Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century (2021)Music in the Sonata form for the saxophone: learning to play the Saxophone in online educational courses: online platforms vs. traditional education in a conservatory (2023)An Experimental Study of Apparent Behavior (1944)The Field of Cultural Production (1994)The way we think: conceptual blending and the mind's hidden complexities (2002)Emotion and Meaning in Music (1957)The Sense of an Ending: Studies in the Theory of Fiction (1967)Classic Music: Expression, Form, and Style (1981)
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Cited by

  • 2024Cadence21 cited
  • 2019The Type 2 Sonata in the Nineteenth Century12 cited
  • 2007Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work9 cited
  • 2018Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude3 cited
  • 2022Präexistente Musik im Film3 cited
  • 2006‘T he H eaviest W eight ’: C ircularity and R epetition in a S ong by H ugo W olf3 cited

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