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Curie-point Pyrolysis/Gas Chromatography/Mass Spectrometry in the Art Field. Part 3: The Characterization of Some Non-proteinaceous Binders
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Curie-point Pyrolysis/Gas Chromatography/Mass Spectrometry in the Art Field. Part 3: The Characterization of Some Non-proteinaceous Binders (1997)Curie-point Pyrolysis/Gas Chromatography/…The varnished truth: The recipes and reality of tintype coatings (2013)The varnished truth: The reci…Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Novel analytical methods for …Pyrolysis GC–MS and THM-GC–MS studies of a black coating from Little Lost River Cave, Idaho (2006)Pyrolysis GC–MS and THM-GC–MS…Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analytical chemistry in the field of cultural heritage (2015)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Vibrational Raman spectroscopic studies of calcium oxalate monohydrate and dihydrate in lichen encrustations on renaissance frescoes (1992)Luminescence dating of rock art and past environments using mud-wasp nests in northern Australia (1997)Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine (2002)Characterization of the Binders and Pigments in the Rock Paintings of Cueva la Conga, Nicaragua (2012)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Fluorescence Fails: Analysis of UVA-Induced Visible Fluorescence and False-Color Reflected UVA Images of Tintype Varnishes Do Not Discriminate Between Varnish Materials (2016)Natural products such as adhesives in oil paintings (2016)Unveiling the Ambrotype: Characterization of Two 19th Century Photographs (2018)
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  • 2008Novel analytical methods for characterising binding media and protective coatings in artworks152 cited
  • 2013The varnished truth: The recipes and reality of tintype coatings14 cited
  • 2006Pyrolysis GC–MS and THM-GC–MS studies of a black coating from Little Lost River Cave, Idaho10 cited

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